International Gothic art in Italy in the context of Sant'Anastasia, Verona


International Gothic art in Italy in the context of Sant'Anastasia, Verona

⭐ Core Definition: International Gothic art in Italy

International Gothic (or Late Gothic) art is a style of figurative art datable between about 1370 and, in Italy, the first half of the 15th century.

As the name emphasizes, this stylistic phase had an international scope, with common features as well as many local variables. The style did not spread from a center of irradiation, as had been the case, for example, with Gothic art and the Île-de-France, but was rather the result of a dialogue between European courts, fostered by the numerous mutual exchanges. Among these courts, the papal court played a prominent role, particularly the Avignon court, a true center of gathering and exchange for artists from all over the continent.

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International Gothic art in Italy in the context of Quattrocento

The cultural and artistic events of Italy during the period 1400 to 1499 are collectively referred to as the Quattrocento (UK: /ˌkwætrˈɛnt, -trəˈ-/ KWAT-roh-CHEN-toh, -⁠trə-, US: /ˌkwɒtrˈ-/ KWOT-roh-, Italian: [ˌkwattroˈtʃɛnto]), from the Italian word for the number '400', in turn from millequattrocento, '1400'. The Quattrocento encompasses the artistic styles of the late Middle Ages (most notably International Gothic), the early Renaissance (beginning around 1425), and the start of the High Renaissance, generally asserted to begin between 1495 and 1500.

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International Gothic art in Italy in the context of Adoration of the Magi (Gentile da Fabriano)

The Adoration of the Magi is a painting by the Italian painter Gentile da Fabriano. The work, housed in the Uffizi Gallery in Florence is considered his finest work and has been described as the culminating work of the International Gothic style.

The artwork was commissioned by the wealthy banker Palla Strozzi. It incorporates many notable elements. The use of vibrant colors creates a brilliant and imposing effect. Techniques such as lighting, depth, and three-dimensionality are prevalent in the work and were novel for the time. Expensive materials such as gold leaf and jewels are incised in the painting to showcase the patron's wealth.

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