Dallas Museum of Art in the context of "Edward Larrabee Barnes"

⭐ In the context of Edward Larrabee Barnes' architectural style, the Dallas Museum of Art is considered an example of his commitment to…

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⭐ Core Definition: Dallas Museum of Art

The Dallas Museum of Art (DMA) is an art museum located in the Arts District of downtown Dallas, Texas, along Woodall Rodgers Freeway between St. Paul and Harwood. In the 1970s, the museum moved from its previous location in Fair Park to the Arts District. The new building was designed by Edward Larrabee Barnes and John MY Lee Associates, the 2007 winner of the American Institute of Architects Gold Medal. The construction of the building spanned in stages over a decade.

The museum collection is made up of more than 24,000 objects, dating from the third millennium BC to the present day. It is known for its dynamic exhibition policy and educational programs. The Mildred R. and Frederick M. Mayer Library (the museum's non-circulating research library) contains over 50,000 volumes available to curators and the general public. With 159,000 square feet (14,800 m) of exhibition spaces, it is one of the largest art museums in the United States.

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👉 Dallas Museum of Art in the context of Edward Larrabee Barnes

Edward Larrabee Barnes (April 22, 1915 – September 22, 2004) was an American architect. His work was characterized by the "fusing [of] Modernism with vernacular architecture and understated design." Barnes was best known for his adherence to strict geometry, simple monolithic shapes and attention to material detail. Among his best-known projects are the Haystack School, Christian Theological Seminary, Dallas Museum of Art, the Walker Art Center, 599 Lexington Avenue, the Thurgood Marshall Federal Judiciary Building, and the IBM Building at 590 Madison Avenue.

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Dallas Museum of Art in the context of Classical mythology

Classical mythology, also known as Greco-Roman mythology or Greek and Roman mythology, is the collective body and study of myths from the ancient Greeks and ancient Romans. Mythology, along with philosophy and political thought, is one of the major survivals of classical antiquity throughout later, including modern, Western culture. The Greek word mythos refers to the spoken word or speech, but it also denotes a tale, story or narrative.

As late as the Roman conquest of Greece during the last two centuries Before the Common Era and for centuries afterwards, the Romans, who already had gods of their own, adopted many mythic narratives directly from the Greeks while preserving their own Roman (Latin) names for the gods. As a result, the actions of many Roman and Greek deities became equivalent in storytelling and literature in modern Western culture. For example, the Roman sky god Jupiter or Jove became equated with his Greek counterpart Zeus; the Roman fertility goddess Venus with the Greek goddess Aphrodite; and the Roman sea god Neptune with the Greek god Poseidon.

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Dallas Museum of Art in the context of Lise Tréhot

Lise Tréhot (14 March 1848 – 12 March 1922) was a French art model who posed for artist Pierre-Auguste Renoir from 1866 until 1872, during his early Salon period. She appeared in more than twenty paintings, including notable works such as Lise with a Parasol (1867) and In Summer (1868), and she was the model for almost all of Renoir's work featuring female figures at this time. Tréhot married Georges Brière de l'Isle in 1883 and raised four children to whom she bequeathed two of Renoir's paintings, Lise Sewing (1867–68) and Lise in a White Shawl (1872), both of which are currently held by the Dallas Museum of Art.

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