Instant film in the context of "Negative (photography)"

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⭐ Core Definition: Instant film

Instant film is a type of photographic film that was introduced by Polaroid Corporation to produce a visible image within minutes or seconds of the photograph's exposure. The film contains the chemicals needed for developing and fixing the photograph, and the camera exposes and initiates the developing process after a photo has been taken.

In earlier Polaroid instant cameras the film is pulled through rollers, breaking open a pod containing a reagent that is spread between the exposed negative and receiving positive sheet. This film sandwich develops for some time after which the positive sheet is peeled away from the negative to reveal the developed photo. In 1972, Polaroid introduced integral film, which incorporated timing and receiving layers to automatically develop and fix the photo without any intervention from the photographer.

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Instant film in the context of Photographic processing

Photographic processing or photographic development is the chemical means by which photographic film or paper is treated after photographic exposure to produce a negative or positive image. Photographic processing transforms the latent image into a visible image, makes this permanent and renders it insensitive to light.

All processes based upon the gelatin silver process are similar, regardless of the film or paper's manufacturer. Exceptional variations include instant films such as those made by Polaroid and thermally developed films. Kodachrome required Kodak's proprietary K-14 process. Kodachrome film production ceased in 2009, and K-14 processing is no longer available as of December 30, 2010. Ilfochrome materials use the dye destruction process. Deliberately using the wrong process for a film is known as cross processing.

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Instant film in the context of Polaroid Corporation

Polaroid Corporation was an American company that made instant film and cameras, which survives as a brand for consumer electronics. The company was founded in 1937 by Edwin H. Land, to exploit his Polaroid polarizing polymer. Land and Polaroid created the first instant camera, the Land Camera, in 1948.

Land ran the company until 1981. Its peak employment was 21,000 in 1978, and its peak revenue was $3 billion in 1991.

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Instant film in the context of Instax

Instax (stylized as instax) is a brand of instant still cameras and instant films marketed by Fujifilm.

The first camera and accompanying film, the Instax Mini 10 and Instax Mini film, were released on November 10, 1998. The "Wide" film and first accompanying camera were released the following year. The Instax Square film and accompanying camera were released in 2017.

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Instant film in the context of Edwin H. Land

Edwin Herbert Land, ForMemRS, FRPS, Hon.MRI (May 7, 1909 – March 1, 1991) was an American scientist and inventor, best known as the co-founder of the Polaroid Corporation. He invented inexpensive filters for polarizing light, a practical system of in-camera instant photography, and the retinex theory of color vision, among other things. His Polaroid instant camera went on sale in late 1948 and made it possible for a picture to be taken and developed in 60 seconds or less.

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Instant film in the context of Land Camera

The Land Camera is a model of self-developing film camera manufactured by Polaroid between 1948 and 1983. It is named after the inventor, American scientist Edwin Land, who developed a process for self-developing photography between 1943 and 1947. After Edwin Land's retirement from Polaroid in 1982, the name 'Land' was dropped from the camera name. The first commercially available model was the Model 95, which produced sepia-colored prints in about 1 minute. It was first sold to the public on November 26, 1948.

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Instant film in the context of Retouched

Photograph manipulation or photograph alteration is the modification of an otherwise genuine photograph. Some photograph manipulations are considered to be skillful artwork, while others are considered to be unethical practices, especially when used to deceive. Motives for manipulating photographs include political propaganda, altering the appearance of a subject (both for better and for worse), entertainment and humor.

Depending on the application and intent, some photograph manipulations are considered an art form because they involve creation of unique images and in some instances, signature expressions of art by photographic artists. For example, Ansel Adams used darkroom exposure techniques to darken and lighten photographs. Other techniques include retouching using ink or paint, airbrushing, double exposure, piecing photos or negatives together in the darkroom, and scratching instant films. Software for digital image manipulation ranges from casual to professional skillsets. One of these, Adobe Photoshop, has led to the use of the term photoshop, meaning to digitally edit an image with any program.

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