Mummers were bands of men and women from the medieval to early modern era who (during public festivities) dressed in fantastic clothes and costumes and serenaded people outside their houses, or joined the party inside. Costumes were varied and might include bears, unicorns, deer (with deer hides and antlers) or rams (with rams' horns). The practice was widespread in Europe, present in England, Ireland and Scotland, with words for it in German and French. The practice dates back to the Romans and has survived in some areas (such as Scotland) and is used in the holiday tradition of Mummers' plays. It has also been revived in the modern Mummers' Parade. The practice may also be related to miming.
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Mummer in the context of Mime
A mime artist, or simply mime (from Greek μῖμος, mimos, "imitator, actor"), is a person who uses mime (also called pantomime outside of Britain), the acting out of a story through body motions without the use of speech, as a theatrical medium or as a performance art. In earlier times, in English, such a performer would typically be referred to as a mummer. Miming is distinguished from silent comedy, in which the artist is a character in a film or skit without sound.
Jacques Copeau, strongly influenced by commedia dell'arte and Japanese Noh theatre, used masks in the training of his actors. His pupil Étienne Decroux was highly influenced by this, started exploring and developing the possibilities of mime, and developed corporeal mime into a highly sculptural form, taking it outside the realms of naturalism. Jacques Lecoq contributed significantly to the development of mime and physical theatre with his training methods. As a result of this, the practice of mime has been included in the list of Intangible Cultural Heritage elements in France since 2017.