Incunabula in the context of "History of printing"

The Biblioteca Nazionale Centrale di Roma (Central National Library of Rome), in Rome, is one of two central national libraries of Italy, along with Biblioteca Nazionale Centrale di Firenze in Florence. In total, 9 national libraries exist, out of 46 state libraries.

The library's mission is to collect and preserve all the publications in Italy and the most important foreign works, especially those related to Italy, and make them available to anyone.The collection currently includes more than 7,000,000 printed volumes, 2,000 incunabula, 25,000 cinquecentine (16th century books), 8,000 manuscripts, 10,000 drawings, 20,000 maps, and 1,342,154 brochures.

The Bavarian State Library (German: Bayerische Staatsbibliothek, abbreviated BSB, called Bibliotheca Regia Monacensis before 1919) in Munich is the central "Landesbibliothek", i. e. the state library of the Free State of Bavaria, the biggest universal and research library in Germany and one of Europe's most important universal libraries. With its collections currently comprising around 39.4 million media units (as of 2025), it ranks among the leading research libraries worldwide. The Bayerische Staatsbibliothek furthermore is Europe's second-largest journals library (after the British Library). Furthermore, its historical holdings encompass one of the most important manuscript collections of the world, the largest collection of incunabula worldwide, as well as numerous further important special collections. Its collection of historical prints before 1850 totals almost one million units.

The legal deposit law, still applicable today, has been in force since 1663 and requires that two copies of every printed work published in Bavaria have to be submitted to the Bayerische Staatsbibliothek. The BSB publishes the specialist journal Bibliotheksforum Bayern and has been publishing the Bibliotheksmagazin together with the Berlin State Library between 2007 and 2023. Its building is situated in the Ludwigstrasse.

The illustration of manuscript books was well established in ancient times, and the tradition of the illuminated manuscript thrived in the West until the invention of printing. Other parts of the world had comparable traditions, such as the Persian miniature. Modern book illustration comes from the 15th-century woodcut illustrations that were fairly rapidly included in early printed books, and later block books. Other techniques such as engraving, etching, lithography and various kinds of colour printing were to expand the possibilities and were exploited by such masters as Daumier, Doré or Gavarni.

Bernardo Cennini (Italian: [berˈnardo tʃenˈniːni]; 1414/15 – c. 1498) was an Italian goldsmith, sculptor and early printer of Florence. As a sculptor he was among the assistants to Lorenzo Ghiberti in the long project producing the second pair of doors—the Doors of Paradise—for the Battistero di San Giovanni. He produced the first book printed at Florence. The painter and author of a famous book on the crafts, Cennino d'Andrea Cennini, was a member of the same Florentine family.

The Golden Legend (Latin: Legenda aurea or Legenda sanctorum) is a collection of 153 hagiographies by Jacobus de Voragine that was widely read in Europe during the Late Middle Ages. More than a thousand manuscripts of the text have survived. It was probably compiled around 1259 to 1266, although the text was added to over the centuries.

Initially entitled Legenda sanctorum (Readings of the Saints), it gained its popularity under the title by which it is best known. It overtook and eclipsed earlier compilations of abridged legendaria, the Abbreviatio in gestis et miraculis sanctorum attributed to the Dominican chronicler Jean de Mailly and the Epilogus in gestis sanctorum of the Dominican preacher Bartholomew of Trent. When printing was invented in the 1450s, editions appeared quickly, not only in Latin, but also in almost every major European language. Among incunabula, printed before 1501, Legenda aurea was printed in more editions than the Bible and was one of the most widely published books of the Middle Ages. During the height of its popularity the book was so well known that the term "Golden Legend" was sometimes used generally to refer to any collection of stories about the saints. It was one of the first books William Caxton printed in the English language; Caxton's version appeared in 1483 and his translation was reprinted, reaching a ninth edition in 1527.