Imperial Music Bureau in the context of "Chinese dynasties"

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⭐ Core Definition: Imperial Music Bureau

The Music Bureau (Traditional Chinese: 樂府; Simplified Chinese: 乐府; Hanyu Pinyin: yuèfǔ, and sometimes known as the "Imperial Music Bureau") served in the capacity of an organ of various imperial government bureaucracies of China: discontinuously and in various incarnations, the Music Bureau was charged directly, by the emperor (or other monarchical ruler), or indirectly, through the royal (or imperial) government to perform various tasks related to music, poetry, entertainment, or religious worship. These tasks included both musical and lyrical research and development, and also directing performances.

The existence of a Music Bureau was typical of various Chinese dynasties, though the Music Bureau's prominence and influence may have peaked during the reign of Han dynasty emperor Wu, who was especially interested in such activities and engaged himself accordingly. The mission of the Music Bureau was concerned with poetry, music, and their live performances, because these concepts were not really considered to be distinct: lyrics are a part of music, and traditional Chinese poems, particularly shi, were considered to be suitable for chanting or singing, and poetic verses in accompaniment with instrumental music were often presented together as integral parts of performances. In the case of the Music Bureau, performances were oriented towards religious rites or entertainment in service to the emperor.

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Imperial Music Bureau in the context of Emperor Wu of Han

Emperor Wu of Han (156 – 29 March 87 BC), personal name Liu Che and courtesy name Tong, was the seventh emperor of the Han dynasty from 141 to 87 BC. His reign lasted 54 years – a record not broken until the reign of the Kangxi Emperor more than 1,800 years later – and remains the record for ethnic Han emperors. His reign resulted in a vast expansion of geopolitical influence for the Chinese civilization, and the development of a strong centralized state via governmental policies, economical reorganization and promotion of a hybrid LegalistConfucian doctrine. In the field of historical social and cultural studies, Emperor Wu is known for his religious innovations and patronage of the poetic and musical arts, including the development of the Imperial Music Bureau into a prestigious entity. It was also during his reign that cultural contact with western Eurasia was greatly increased, directly and indirectly.

During his reign, Emperor Wu led the Han dynasty through its greatest territorial expansion. At its height, the Empire's borders spanned from the Fergana Valley in the west, to northern Korea in the east, and to northern Vietnam in the south. Emperor Wu successfully repelled the nomadic Xiongnu from systematically raiding northern China, and dispatched his envoy Zhang Qian into the Western Regions in 139 BC to seek an alliance with the Greater Yuezhi and Kangju, which resulted in further diplomatic missions to Central Asia. Although historical records do not describe him as being aware of Buddhism, emphasizing rather his interest in shamanism, the cultural exchanges that occurred as a consequence of these embassies suggest that he received Buddhist statues from Central Asia, as depicted in the murals found in the Mogao Caves.

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