Imperial Examination in the context of Imperial examination in Chinese mythology


Imperial Examination in the context of Imperial examination in Chinese mythology

⭐ Core Definition: Imperial Examination

The imperial examination (Chinese: 科舉) was a civil service examination system in Imperial China administered for the purpose of selecting candidates for the state bureaucracy. The concept of choosing bureaucrats by merit rather than by birth started early in Chinese history, and the first earnest use of written examinations as a method of recruitment appeared under the Sui dynasty (581–618). Its systematic implementation began during the Tang dynasty (618–907), when examinations became a regular channel for bureaucratic appointment and the dominant path to high office. It was further expanded during the Song dynasty (960–1279). The system lasted for 1,300 years until its abolition during the late Qing dynasty reforms in 1905. The key sponsors for abolition were Yuan Shikai, Yin Chang, and Zhang Zhidong. Aspects of the imperial examination still exist for entry into the civil service of both China and Taiwan.

The exams served to ensure a common knowledge of writing, Chinese classics, and literary style among state officials. This common culture helped to unify the empire, and the ideal of achievement by merit gave legitimacy to imperial rule. The examination system played a significant role in tempering the power of hereditary aristocracy and military authority, and in the rise of a gentry class of scholar-bureaucrats.

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Imperial Examination in the context of Thirteen Classics

The Thirteen Classics (traditional Chinese: 十三經; simplified Chinese: 十三经; pinyin: Shísān Jīng) is a term for the group of thirteen classics of Confucian tradition that became the basis for the Imperial Examinations during the Song dynasty and have shaped much of East Asian culture and thought.It includes all of the Four Books and Five Classics but organizes them differently and includes the Classic of Filial Piety and Erya.

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Imperial Examination in the context of Danqing

In Chinese painting, danqing (Chinese: 丹青; pinyin: dān qīng) refers to paintings on silk and Xuan paper. Danqing is painted with an ink brush, color ink, or Chinese pigments using natural plant, mineral, and both metal pigments and pigment blends. Danqing literally means "red and blue-green" in Chinese, or more academically, "vermillion and cyan"; they are two of the most used colors in ancient Chinese painting.

Danqing is typically colorful and vibrant, and uses different colors to depict vivid landscapes, scenery, figures, portraits, plants, and animals. Some of the fundamental colors used in danqing are white, yellow, red, blue-green, and black.

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