Ilya Golosov in the context of "Russian avant-garde"

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⭐ Core Definition: Ilya Golosov

Ilya Alexandrovich Golosov (Russian: Илья Александрович Голосов; 31 July 1883 – 21 January 1945) was an architect from the late Russian Empire and early Soviet Union. A leader of Constructivism in 1925-1931, Ilya Golosov later developed his own style of early stalinist architecture known as postconstructivism. Не was a brother of Panteleimon Golosov.

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👉 Ilya Golosov in the context of Russian avant-garde

The Russian avant-garde was a large, influential wave of avant-garde modern art that flourished in the Russian Empire and the Soviet Union, approximately from 1890 to 1930—although some have placed its beginning as early as 1850 and its end as late as 1960. The term covers many separate, but inextricably related, art movements that flourished at the time; including Suprematism, Constructivism, Russian Futurism, Cubo-Futurism, Zaum, Imaginism, and Neo-primitivism. In Ukraine, many of the artists who were born, grew up or were active in what is now Belarus and Ukraine (including Kazimir Malevich, Aleksandra Ekster, Vladimir Tatlin, David Burliuk, Alexander Archipenko), are also classified in the Ukrainian avant-garde.

The Russian avant-garde reached its creative and popular height in the period between the Russian Revolution of 1917 and 1932, at which point the ideas of the avant-garde clashed with the newly emerged state-sponsored direction of Socialist Realism.

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Ilya Golosov in the context of Zuev Workers' Club

The Zuyev Workers' Club (Russian: Клуб имени Зуева) in Moscow is a prominent work of constructivist architecture. It was designed by Ilya Golosov (1883–1945) in 1927 and finished in 1929. The building was designed to house various facilities for Moscow workers, and utilises an innovative glazing treatment at its corner which has proved very photogenic.

Golosov was an enthusiast for expressive, dynamic form rather than the logics of Constructivist design methods. The building facade consists of cylindrical glazed staircases intersecting with stacked rectangular floor planes to create a dramatic composition. A sequence of club rooms and open foyers lead to an 850-seat auditorium.

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