Idolatry and Christianity in the context of "Early Christian art and architecture"

Early Christian art and architecture (or Paleochristian art) is the art produced by Christians, or under Christian patronage, from the earliest period of Christianity to, depending on the definition, sometime between 260 and 525. In practice, identifiably Christian art only survives from the 2nd century onwards. After 550, Christian art is classified as Byzantine, or according to region.

It is hard to know when distinctly Christian art began. Prior to 100, Christians may have been constrained by their position as a persecuted group from producing durable works of art. Since Christianity as a religion was not well represented in the public sphere, the lack of surviving art may reflect a lack of funds for patronage, and simply small numbers of followers. The Old Testament restrictions against the production of graven (an idol or fetish carved in wood or stone) images (see also Idolatry and Christianity) may also have constrained Christians from producing art. Christians may have made or purchased art with pagan iconography, but given it Christian meanings, as they later did. If this happened, "Christian" art would not be immediately recognizable as such.

The Council of Jerusalem or Apostolic Council is a council described in chapter 15 of the Acts of the Apostles, held in Jerusalem c. AD 48–50.

The council decided that Gentiles who converted to Christianity were not obligated to keep most of the rules prescribed to the Jews by the Mosaic Law, such as Jewish dietary laws and other specific rituals, including the rules concerning circumcision of males. The council did, however, retain the prohibitions on eating blood or meat containing blood, and meat of animals that were strangled, and on fornication and idolatry, sometimes referred to as the Apostolic Decree. The purpose and origin of these four prohibitions is debated.