Iconostasis in the context of "Templon"

The National Cathedral (Romanian: Catedrala Națională), also known as the People's Salvation Cathedral (Romanian: Catedrala Mântuirii Neamului), is an Eastern Orthodox cathedral in Bucharest, Romania, built to serve as the patriarchal cathedral of the Romanian Orthodox Church. It is located in central Bucharest on Spirea's Hill (Arsenal Square), facing the Palace of Parliament. At 127 metres (417 ft) tall, the cathedral occupies a dominant position in Bucharest's cityscape, being visible from all approaches to the city.

It is the tallest and largest Eastern Orthodox church building by volume, and area, in the world. The People's Salvation Cathedral will have the largest collection of church mosaics (interior decoration) in the world when it is completed, having about 25,000 square meters. Also the People's Salvation Cathedral has the world's largest Orthodox iconostasis (23.8 meters long and 17.1 meters high) and the world's largest free-swinging church bell.

The Byzantine Rite, also known as the Greek Rite or the Rite of Constantinople, is a liturgical rite that is identified with the wide range of cultural, devotional, and canonical practices that developed in the Eastern Christian church of Constantinople.

The canonical hours are extended and complex, lasting about eight hours (longer during Great Lent) but are abridged outside of large monasteries. An iconostasis, a partition covered with icons, separates the area around the altar from the nave. The sign of the cross, accompanied by bowing, is made very frequently, e.g., more than a hundred times during the divine liturgy, and there is prominent veneration of icons, a general acceptance of the congregants freely moving within the church and interacting with each other, and distinctive traditions of liturgical chanting.

Sts. Cyril and Methodius Church (Serbian: Храм светих Кирила и Методија/Hram svetih Kirila i Metodija, Slovene: Cerkev sv. Cirila in Metoda), commonly known as the Orthodox Church (Slovene: Pravoslavna cerkev, Serbian: Pravoslavna crkva), is an Eastern Orthodox church building located in Trubar Park (Slovene: Trubarjev park), between Bleiweis Street (Bleiweisova cesta) and Prešeren Street (Prešernova cesta), north of the Museum of Modern Art and west of the National Gallery of Slovenia. It belongs to the Metropolitanate of Zagreb and Ljubljana of the Serbian Orthodox Church and is named after Saints Cyril and Methodius, brothers known as the "Apostles to the Slavs."

Built in Serbo-Byzantine Revival, the church has five domes with golden crosses at their top. It was built from 1932 to 1936 by Ivan Bricelj based on plans by the architect Momir Korunović. The frescoes in the interior were painted by the Serbian painters Dragomir Jašović, Miša Mladenović, and Danica Mladenovič from 1986 until 1997. The iconostasis is work of a prominent woodcarver workshop from Debar (Macedonia) and has been decorated with icons by the Slovene painter Mirko Šubic [sl], who created them in 1940.

The royal doors, holy doors, or beautiful gates are the central doors of the iconostasis in an Eastern Orthodox or Eastern Catholic church. The sanctuary (sometimes called the Altar, which contains the Holy Table) is separated from the nave by a wooden screen called the iconostasis. The iconostasis represents Christian continuity from the veil of the Temple in Jerusalem which separated the people from the Holy of Holies that housed the Ark of the Covenant. Normally, the iconostasis has three doors in it. The two single doors to the right and left are called "deacons' doors" or "angel doors" and they usually have on them icons of either sainted deacons (Saint Stephen, Saint Lawrence, etc.) or the Archangels Michael and Gabriel. These are the doors that the clergy will normally use when entering the sanctuary. The central double doors are the "holy doors" (Slavonic: Svyatýa Vratá), which are considered to be most sacred, and may only be entered at certain sacred moments during the services, and only by ordained clergy (deacons, priests, bishops).

The term Royal Doors (Greek: Ωραία Πύλη: Slavonic: Tsárskiya Vratá) is commonly used to describe the Holy Doors, because Christ passes through these gates during the Great Entrance at the Divine Liturgy (and most especially during the Liturgy of the Presanctified Gifts). More properly, however, these doors should be called the "Beautiful Gate", and in Greek this is the only term used, although the official English sites of the Ecumenical Patriarchate, the Orthodox Church in America and the Antiochian Orthodox Church all use the term "Royal Doors". In Russia, they are sometimes called the "Red Gates", red being synonymous with beautiful.

The ambon or ambo (Greek: ἄμβων, meaning "pulpit"; Slavonic: amvón) in its modern usage is a projection coming out from the soleas (the walkway in front of the iconostasis) in an Eastern Orthodox, Oriental Orthodox and Eastern Catholic church. The ambon stands directly in front of the Holy Doors. It may be either rounded or square and has one, two, or three steps leading up to it.

Haggai or Aggeus (/ˈhæɡaɪ/; Hebrew: חַגַּי – Ḥaggay; lit. 'One who celebrates'; Koine Greek: Ἀγγαῖος; Latin: Aggaeus) was a Hebrew prophet active during the building of the Second Temple in Jerusalem, one of the twelve minor prophets in the Hebrew Bible, and the author or subject of the Book of Haggai. He is known for his prophecy in 520 BCE, commanding the Jews to rebuild the Temple. He was the first of three post-exilic prophets from the Neo-Babylonian Exile of the House of Judah (with Zechariah, his contemporary, and Malachi, who lived about one hundred years later), who belonged to the period of Jewish history which began after the return from captivity in Babylon. His name means "my holidays".