I Capuleti e i Montecchi in the context of "Luigi Scevola"

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⭐ Core Definition: I Capuleti e i Montecchi

I Capuleti e i Montecchi (The Capulets and the Montagues) is an Italian opera (tragedia lirica) in two acts by Vincenzo Bellini. The libretto by Felice Romani was a reworking of the story of Romeo and Juliet for an opera by Nicola Vaccai called Giulietta e Romeo and based on the play of the same name by Luigi Scevola written in 1818, thus an Italian source rather than taken directly from William Shakespeare.

Bellini was persuaded to write the opera for the 1830 Carnival season at the Teatro La Fenice in Venice, with only a month and a half available for composition. He succeeded by appropriating a large amount of music previously written for his unsuccessful opera Zaira.

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I Capuleti e i Montecchi in the context of I puritani

I puritani (The Puritans) is an 1835 opera by Vincenzo Bellini. It was originally written in two acts and changed to three acts before the premiere on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto by Count Carlo Pepoli, an Italian émigré poet whom Bellini had met at a salon run by the exile Princess Belgiojoso, which became a meeting place for many Italian revolutionaries. The opera is based on Têtes Rondes et Cavaliers (Roundheads and Cavaliers), a historical play written by Jacques-François Ancelot and Joseph Xavier Saintine and set in the English Civil War. Except for its title, the opera is not in any way based on Walter Scott's 1816 novel Old Mortality (translated into Italian in 1825 as I Puritani di Scozia), despite some claims to the contrary.

When Bellini arrived in Paris in mid-August 1833, he had intended to stay only about three weeks, the main aim being to continue the negotiations with the Paris Opéra which he had begun on his way to London a few months earlier. These negotiations came to nothing, but by October he had decided to spend the winter in Paris, especially as both Il pirata and I Capuleti e i Montecchi were to be given by the Théâtre-Italien that season. The offer from the Théâtre came in January 1834; he accepted because "the pay was richer than what I had received in Italy up to then, though only by a little; then because of so magnificent a company; and finally so as to remain in Paris at others' expense."

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