Hyacinthe Rigaud in the context of "Jules Hardouin-Mansart"

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⭐ Core Definition: Hyacinthe Rigaud

Jacint Rigau-Ros i Serra (Catalan pronunciation: [ʒəˈsin riˈɣaw ˈrɔz i ˈsɛrə]; 18 July 1659 – 29 December 1743), known in French as Hyacinthe Rigaud (pronounced [jasɛ̃t ʁiɡo]), was a Catalan-French baroque painter most famous for his portraits of Louis XIV and other members of the French nobility.
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👉 Hyacinthe Rigaud in the context of Jules Hardouin-Mansart

Jules Hardouin-Mansart (French pronunciation: [ʒyl aʁdwɛ̃ mɑ̃saʁ]; 16 April 1646 – 11 May 1708) was a French Baroque architect and builder whose major work included the Place des Victoires (1684–1690); Place Vendôme (1690); the domed chapel of Les Invalides (1690), and the Grand Trianon of the Palace of Versailles. His monumental work was designed to glorify the reign of Louis XIV.

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Hyacinthe Rigaud in the context of Ancien régime

The ancien régime (/ˌɒ̃sjæ̃ rˈʒm/; French: [ɑ̃sjɛ̃ ʁeʒim] ; lit.'old rule') was the political and social system of the Kingdom of France that the French Revolution overturned through its abolition in 1790 of the feudal system of the French nobility and in 1792 through its execution of King Louis XVI and declaration of a republic. "Ancien régime" is now a common metaphor for "a system or mode no longer prevailing".

The administrative and social structures of the ancien régime in France evolved across years of state-building, legislative acts (like the Ordinance of Villers-Cotterêts), and internal conflicts. The attempts of the House of Valois to reform and re-establish control over the scattered political centres of the country were hindered by the Wars of Religion from 1562 to 1598. During the House of Bourbon, much of the reigns of Henry IV (r. 1589–1610) and Louis XIII (r. 1610–1643) and the early years of Louis XIV (r. 1643–1715) focused on administrative centralization. Despite the notion of "absolute monarchy" (typified by the king's right to issue orders through lettres de cachet) and efforts to create a centralized state, ancien régime France remained a country of systemic irregularities: administrative, legal, judicial, and ecclesiastic divisions and prerogatives frequently overlapped, the French nobility struggled to maintain their influence in local judiciary and state branches while the Fronde and other major internal conflicts violently contested additional centralization.

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Hyacinthe Rigaud in the context of Portrait of Louis XIV

Portrait of Louis XIV in Coronation Robes was painted in 1701 by the French painter Hyacinthe Rigaud after being commissioned by the king who wanted to satisfy the desire of his grandson, Philip V of Spain, for a portrait of him. Louis XIV kept it hanging at Versailles.It has since become the most recognisable portrait of the king.

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Hyacinthe Rigaud in the context of Marquise de Caylus

Marthe-Marguerite Le Valois de Villette de Mursay, marquise de Caylus (1673–1729), was a French noblewoman and writer.

Born in Poitou, she was the daughter of vice-admiral Philippe, Marquis de Villette-Mursay, and Marie-Anne de Châteauneuf, who died in 1691. Her father was a cousin of Madame de Maintenon, who brought up Marthe-Marguerite like her own daughter.

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