Hurdy-gurdy in the context of French folk music


Hurdy-gurdy in the context of French folk music

⭐ Core Definition: Hurdy-gurdy

The hurdy-gurdy is a string instrument that produces sound by means of a hand-cranked rosined wheel which rubs against the strings. The wheel functions much like a violin (or nyckelharpa) bow, and single notes played on the instrument sound similar to those of a violin. Melodies are played on a keyboard that presses tangents—small wedges, typically made of wood or metal—against one or more of the strings to change their pitch. Like most other acoustic stringed instruments, it has a sound board and hollow cavity to make the vibration of the strings audible.

Most hurdy-gurdies have multiple drone strings, which give a constant pitch accompaniment to the melody, resulting in a sound similar to that of bagpipes. For this reason, the hurdy-gurdy is often used interchangeably or along with bagpipes. It is mostly used in French, Occitan, Aragonese, Cajun French, Asturian, Cantabrian, Galician, Hungarian, and Slavic folk music. It can also be seen in early music settings such as medieval, renaissance or baroque music. One or more of the gut strings called 'trompette' usually passes over a buzzing bridge called the 'chien' that can be made to produce a distinctive percussive buzzing sound as the player turns the wheel.

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Hurdy-gurdy in the context of Sinfonia

Sinfonia (IPA: [siɱfoˈniːa]; plural sinfonie) is the Italian word for symphony, from the Latin symphonia, in turn derived from Ancient Greek συμφωνία symphōnia (agreement or concord of sound), from the prefix σύν (together) and Φωνή (sound). In English it most commonly refers to a 17th- or 18th-century orchestral piece used as an introduction, interlude, or postlude to an opera, oratorio, cantata, or suite (Abate 1999, who gives the origin of the word as Italian) (Lotha, and the Editors of the Encyclopædia Britannica n.d.). The word is also found in other Romance languages such as Spanish or Portuguese.

In the Middle Ages down to as late as 1588, it was also the Italian name for the hurdy-gurdy (Marcuse 1975, p. 477). Johann Sebastian Bach used the term for his keyboard compositions also known as Three-part Inventions, and after about 1800, the term, when in reference to opera, meant "Overture" (Fisher 1998, p. 386).

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Hurdy-gurdy in the context of Music of Hungary

Hungary has made many contributions to the fields of folk, popular and classical music. Hungarian folk music is a prominent part of the national identity and continues to play a major part in Hungarian music. The Busójárás carnival in Mohács is a major folk music event in Hungary, formerly featuring the long-established and well-regarded Bogyiszló orchestra. Instruments traditionally used in Hungarian folk music include the citera, cimbalom, cobza, doromb, duda, kanászkürt, tárogató, tambura, tekero and ütőgardon. Traditional Hungarian music has been found to bear resemblances to the musical traditions of neighbouring Balkan countries and Central Asia.

Hungarian classical music has long been an "experiment, made from Hungarian antedecents and on Hungarian soil, to create a conscious [variant of] musical culture [using the] musical world of the folk song". Although the Hungarian upper class has long had cultural and political connections with the rest of Europe, leading to an influx of European musical ideas, the rural peasants maintained their own traditions such that by the end of the 19th century, Hungarian composers could draw on rural peasant music to (re)create a Hungarian classical style. For example, Béla Bartók and Zoltán Kodály, two of Hungary's most famous composers, are known for using folk themes in their music. Bartók collected folk songs from across Central and Eastern Europe, including Croatia, Czechia, Poland, Romania, Slovakia and Serbia, whilst Kodály was more interested in uncovering a distinctively Hungarian musical style.

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Hurdy-gurdy in the context of Subway to Sally

Subway to Sally is a German medieval metal band founded in Potsdam in the early 1990s. Their music has clear folk and medieval influences, later also adding gothic and metal elements. With their continuous inclusion of oriental sounds and elements of classical music and the use of instruments seldom seen in metal bands such as bagpipes, shawm, violin, hurdy-gurdy and lute, Subway to Sally has acquired the label of medieval metal. The band has released 12 studio albums, two live albums, and two live DVDs. Their fame is centered mainly in the German-speaking countries, having played only a handful of concerts outside of that area.

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