Hue in the context of Color solid

Color (or colour in Commonwealth English) is the visual perception produced by the activation of the different types of cone cells in the eye caused by light. Though color is not an inherent property of matter, color perception is related to an object's light absorption, emission, reflection and transmission. For most humans, visible wavelengths of light are the ones perceived in the visible light spectrum, with three types of cone cells (trichromacy). Other animals may have a different number of cone cell types or have eyes sensitive to different wavelengths, such as bees that can distinguish ultraviolet, and thus have a different color sensitivity range. Animal perception of color originates from different light wavelength or spectral sensitivity in cone cell types, which is then processed by the brain.

Colors have perceived properties such as hue, colorfulness, and lightness. Colors can also be additively mixed (mixing light) or subtractively mixed (mixing pigments). If one color is mixed in the right proportions, because of metamerism, they may look the same as another stimulus with a different reflection or emission spectrum. For convenience, colors can be organized in a color space, which when being abstracted as a mathematical color model can assign each region of color with a corresponding set of numbers. As such, color spaces are an essential tool for color reproduction in print, photography, computer monitors, and television. Some of the most well-known color models and color spaces are RGB, CMYK, HSL/HSV, CIE Lab, and YCbCr/YUV.

In mathematics, analytic number theory is a branch of number theory that uses methods from mathematical analysis to solve problems about the integers. It is often said to have begun with Peter Gustav Lejeune Dirichlet's 1837 introduction of Dirichlet L-functions to give the first proof of Dirichlet's theorem on arithmetic progressions. It is well known for its results on prime numbers (involving the Prime Number Theorem and Riemann zeta function) and additive number theory (such as the Goldbach conjecture and Waring's problem).

Yarn is a long continuous length of interlocked fibres, used in sewing, crocheting, knitting, weaving, embroidery, ropemaking, and the production of textiles. Thread is a type of yarn intended for sewing by hand or machine. Modern manufactured sewing threads may be finished with wax or other lubricants to withstand the stresses involved in sewing. Embroidery threads are yarns specifically designed for needlework. Yarn can be made of a number of natural or synthetic materials, and comes in a variety of colors and thicknesses (referred to as "weights"). Although yarn may be dyed different colours, most yarns are solid coloured with a uniform hue.

Lightness is a visual perception of the luminance ${\displaystyle (L)}$ of an object. It is often judged relative to a similarly lit object. In colorimetry and color appearance models, lightness is a prediction of how an illuminated color will appear to a standard observer. While luminance is a linear measurement of light, lightness is a linear prediction of the human perception of that light.

This distinction is meaningful because human vision's lightness perception is non-linear relative to light. Doubling the quantity of light does not result in a doubling in perceived lightness, only a modest increase.

Line art or line drawing is any image that consists of distinct straight lines or curved lines placed against a background (usually plain). Two-dimensional or three-dimensional objects are often represented through shade (darkness) or hue (color). Line art can use lines of different colors, although line art is usually monochromatic.

Several techniques used in printmaking largely or entirely use lines, such as engraving, etching and woodcut, and drawings with pen or pencil may be made up of lines.

Monochrome photography is photography where each position on an image can record and show a different amount of light (value), but not a different color (hue). The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography. Other hues besides grey can be used to create monochrome photography, but brown and sepia tones are the result of older processes like the albumen print, and cyan tones are the product of cyanotype prints.

As monochrome photography provides an inherently less complete reproduction than color photography, it is mostly used for artistic purposes and certain technical imaging applications.

Coralline algae are red algae in the order Corallinales, characterized by a thallus containing calcareous deposits within its cell walls, giving it hardness. The colors of these algae are typically some hue of pink, or another shade of red, but some species can be purple, yellow, blue, white, or gray-green. Typically, these algae grow in a crustose manner (encrusting rocks and other hardscape); in the intertidal zone of rocky shorelines, and within coral reefs, these algae appear as an abundance of colorful patches on rock surfaces. Unattached specimens (maerl, rhodoliths) may form relatively smooth compact balls, or forming warty to fruticose thalli.

The red algae belong to the division Rhodophyta, within which the coralline algae form the order Corallinales. There are over 1600 described species of nongeniculate coralline algae. The corallines are presently grouped into two families on the basis of their reproductive structures. Most are marine, though one species lives in freshwater; Pneophyllum cetinaensis.

Darkness is the condition resulting from a lack of illumination, or an absence of visible light.

Human vision is unable to distinguish colors in conditions of very low luminance because the hue-sensitive photoreceptor cells on the retina are inactive when light levels are insufficient, in the range of visual perception referred to as scotopic vision.

Azure is the color between cyan and blue on the spectrum of visible light. It is often described as the color of the sky on a clear day.

On the RGB color wheel, "azure" (hexadecimal #0080FF) is defined as the color at 210 degrees, i.e., the hue halfway between blue and cyan. In the RGB color model, used to create all the colors on a television or computer screen, azure is created by adding a 50% of green light to a 100% of blue light.

Indigo is a term used for a number of hues in the region of blue. The word comes from the ancient dye of the same name. The term "indigo" can refer to the color of the dye, various colors of fabric dyed with indigo dye, a spectral color, one of the seven colors of the rainbow as described by Isaac Newton, or a region on the color wheel, and can include various shades of blue, ultramarine, and green-blue. Since the web era, the term has also been used for various purple and violet hues identified as "indigo", based on use of the term "indigo" in HTML web page specifications.

The word "indigo" comes from the Latin word indicum, meaning "Indian", as the naturally based dye was originally exported to Europe from India.

Gentiana (/ˌdʒɛntʃiˈeɪnə/) is a genus of flowering plants belonging to the gentian family (Gentianaceae), the tribe Gentianeae, and the monophyletic subtribe Gentianinae. With over 300 species, it is considered a large genus. Gentians are notable for their mostly large trumpet-shaped flowers, which are often of an intense blue hue, though some are also bright yellow. The type species of the genus is Gentiana lutea.

The genus name is a tribute to Gentius, an Illyrian king who may have discovered tonic properties in gentians.

The mineral pyrite (/ˈpaɪraɪt/ PY-ryte), or iron pyrite, also known as fool's gold, is an iron sulfide with the chemical formula FeS₂ (iron (II) disulfide). Pyrite is the most abundant sulfide mineral.

Pyrite's metallic luster and pale brass-yellow hue give it a superficial resemblance to gold, hence the well-known nickname of fool's gold. The color has also led to the nicknames brass, brazzle, and brazil, primarily used to refer to pyrite found in coal.

Varieties of the color red may differ in hue, chroma (also called saturation, intensity, or colorfulness), lightness (or value, tone, or brightness), or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a red or other hue mixed with white, a shade being mixed with black. A large selection of these various colors are shown below.

Earth tone is a term used to describe a palette of colors that are similar to natural materials and landscapes. These colors are inspired by the earth's natural hues, including browns, greens, grays, and other warm and muted shades. The term earth tone first became popular in the 1970s during the environmental movement, as people sought to reconnect with nature and embrace more natural and organic lifestyles.

People often connect earth tones with warmth, comfort, and steadiness, which is why they are commonly used in interior design, fashion, and graphic design. They are also versatile, making them suitable for a wide range of applications, from rustic and traditional to modern and minimalist.

A color wheel or color circle is an abstract illustrative organization of color hues around a circle, which shows the relationships between primary colors, secondary colors, tertiary colors etc.

Some sources use the terms color wheel and color circle interchangeably; however, one term or the other may be more prevalent in certain fields or certain versions as mentioned above. For instance, some reserve the term color wheel for mechanical rotating devices, such as color tops, filter wheels or the Newton disc. Others classify various color wheels as color disc, color chart, and color scale varieties.

In colorimetry, CIECAM02 is the color appearance model published in 2002 by the International Commission on Illumination (CIE) Technical Committee 8-01 (Color Appearance Modelling for Color Management Systems) and the successor of CIECAM97s. It has since been superseded by CIECAM16.

The two major parts of the model are its chromatic adaptation transform, CIECAT02, and its equations for calculating mathematical correlates for the six technically defined dimensions of color appearance: brightness (luminance), lightness, colorfulness, chroma, saturation, and hue.

Chromaticity is an objective specification of the quality of a color regardless of its luminance. Chromaticity consists of two independent parameters, often specified as hue (h) and colorfulness (s), where the latter is alternatively called saturation, chroma, intensity, or excitation purity. This number of parameters follows from trichromacy of vision of most humans, which is assumed by most models in color science.