Horror film in the context of "Fantasy film"

A film festival is an organized, extended presentation of films in one or more cinemas or screening venues, usually annually and in a single city or region. Some film festivals show films outdoors or online.

Films may be of recent date and, depending on the festival's focus, can include both international and domestic releases. Some film festivals focus on a specific format of film, such as documentary, or runtime, such as short film festivals, or genre, such as horror films, category of filmmakers, such as women, production country/region or subject matter.

Tokusatsu (特撮（とくさつ）; lit. 'special filming') is a Japanese term for live-action films or television programs that make heavy use of practical special effects. Credited to special effects director Eiji Tsuburaya, tokusatsu mainly refers to science fiction, superhero, fantasy, or horror media featuring such technology but is also occasionally dubbed a genre itself. Its contemporary use originated in the Japanese mass media around 1958 to explain special effects in an easy-to-understand manner and was popularized during the "first monster boom" (1966–1968). Prior to the monster boom, it was known in Japan as tokushu gijutsu (特殊技術; lit. 'special technology') or shortened tokugi (特技; lit. 'special technique').

Subgenres of tokusatsu include kaiju such as the Godzilla and Gamera series; superhero such as the Kamen Rider and Metal Hero series; Kyodai Hero like Ultraman and Denkou Choujin Gridman; and mecha like Giant Robo and Super Robot Red Baron. Some tokusatsu television programs combine several of these subgenres, for example, the Super Sentai series.

King Kong is a 1933 American pre-Code adventure horror monster film directed and produced by Merian C. Cooper and Ernest B. Schoedsack, with special effects by Willis H. O'Brien and music by Max Steiner. Produced and distributed by RKO Radio Pictures, King Kong is the first film in the self-titled franchise, combining live action sequences with stop-motion animation using rear-screen projection. The idea for the film came when Cooper decided to create a motion picture about a giant gorilla struggling against modern civilization. The film stars Fay Wray, Robert Armstrong, and Bruce Cabot. The film follows a giant ape dubbed Kong who feels affection for a beautiful young woman offered to him as a sacrifice.

King Kong premiered in New York City on March 2, 1933, to many rave reviews, with praise for its stop-motion animation and musical score. During its initial run, the film earned a profit of $650,000, which increased to $2,847,000 by the time of its re-release in 1952. Various scenes were deleted by censors, and in 1970, they were restored. Later, in 1991, the film was deemed "culturally, historically and aesthetically significant" by the Library of Congress and selected for preservation in the National Film Registry. In 2010, the film was ranked by Rotten Tomatoes as the greatest horror film of all time and the fifty-sixth greatest film of all time. Various new editions of the film have also been released. A sequel, entitled Son of Kong, was made the same year as the original film, and several more films have been made, including two remakes in 1976 and 2005, respectively. The characters and story have since entered the public domain; the film's copyright is set to expire in 2029 in the US. Analysis of the film has included such topics as racial stereotypes, Ann's relationship with the other characters, and the struggle between nature and civilization.

Thomas Ligotti (born July 9, 1953) is an American horror author, lay philosopher, and writer. His writings are rooted in several literary genres – most prominently weird fiction – and have been described by critics as works of philosophical horror, often formed into short stories and novellas in the tradition of gothic fiction. The worldview espoused by Ligotti in his fiction and non-fiction has been described as pessimistic and nihilistic. The Washington Post called him "the best kept secret in contemporary horror fiction."

A Gothic film is a film that is based on Gothic fiction or common elements from such fictional works. Since various definite film genres—including science fiction, film noir, thriller, and comedy—have used Gothic elements, the Gothic film is challenging to define clearly as a genre. Gothic elements have especially infused the horror film genre, contributing supernatural and nightmarish elements.

To create a Gothic atmosphere, filmmakers have sought to create new camera tricks that challenge audiences' perceptions. Gothic films also reflected contemporary issues. A New Companion to The Gothic's Heidi Kaye said "strong visuals, a focus on sexuality and an emphasis on audience response" characterize Gothic films like they did the literary works. The Encyclopedia of the Gothic said the foundation of Gothic film was the combination of Gothic literature, stage melodrama, and German expressionism.

Vincent Leonard Price Jr. (May 27, 1911 – October 25, 1993) was an American actor, known to film audiences for his work in the horror genre, mostly portraying villains. He appeared on stage, television, and radio, and in more than 100 films. Price has two stars on the Hollywood Walk of Fame, one for motion pictures and one for television.

After varied stage work, including a stint with the Mercury Theatre, Price's first film role was as a leading man in the 1938 comedy Service de Luxe. He became a character actor, appearing in The Song of Bernadette (1943), Laura (1944), The Keys of the Kingdom (1944), Leave Her to Heaven (1945), Dragonwyck (1946), The Three Musketeers (1948) and The Ten Commandments (1956). He established himself in the horror genre with roles in House of Wax (1953), The Fly (1958), House on Haunted Hill (1959), Return of the Fly (1959), The Tingler (1959), The Last Man on Earth (1964), Witchfinder General (1968), The Abominable Dr. Phibes (1971), and Theatre of Blood (1973). He collaborated with Roger Corman on a series of Edgar Allan Poe adaptations, including House of Usher (1960), The Pit and the Pendulum (1961), The Haunted Palace (1963), and The Masque of the Red Death (1964). Price appeared in the television series Batman as Egghead.

Among Us is a 2018 online multiplayer social deduction game developed and published by American game studio Innersloth. The game allows for cross-platform play; it was released on iOS and Android devices in June 2018 and on Windows later that year in November. It was ported to the Nintendo Switch in December 2020 and on the PlayStation 4, PlayStation 5, Xbox One and Xbox Series X/S in December 2021. A virtual reality adaptation, Among Us VR, was released on November 10, 2022.

Among Us takes place in space-themed settings where players are colorful, armless cartoon astronauts. Each player takes on one of two roles: most are Crewmates, but a small number are Impostors. Crewmates work to complete assigned tasks in the game while identifying and voting out suspected Impostors (who appear identical to Crewmates) using social deduction, while Impostors have the objective of killing the Crewmates. The game was inspired by the party game Mafia and the science fiction horror film The Thing.

A monster movie, monster film, creature feature, or giant monster film is a film that focuses on one or more characters struggling to survive attacks by one or more antagonistic monsters, often abnormally large ones. The film may also fall under the horror, comedy, fantasy, or science fiction genres. Monster movies originated with adaptations of horror folklore and literature.

Folk horror is a subgenre of horror film and horror fiction that uses elements of folklore to invoke fear and foreboding. Typical elements include a rural setting, isolation, and themes of superstition, folk religion, paganism, sacrifice and the dark aspects of nature. Although related to supernatural horror film, folk horror usually focuses on the beliefs and actions of people rather than the supernatural, and often deals with naïve outsiders coming up against these. The British films Witchfinder General (1968), Blood on Satan's Claw (1971) and The Wicker Man (1973) are pioneers of the genre, while The Witch (2015) and Midsommar (2019) sparked renewed interest in folk horror. Southeast Asian cinema also commonly features folk horror.