Horace Walpole in the context of "Gothic novel"

⭐ In the context of Gothic novel development, Horace Walpole is considered…

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⭐ Core Definition: Horace Walpole

Horatio Walpole, 4th Earl of Orford (/ˈwɔːlpl/; 24 September 1717 – 2 March 1797), better known as Horace Walpole, was an English Whig politician, writer, historian and antiquarian.

He had Strawberry Hill House built in Twickenham, southwest London, reviving the Gothic style some decades before his Victorian successors. His literary reputation rests on the first Gothic novel, The Castle of Otranto (1764), and his Letters, which are of significant social and political interest. They have been published by Yale University Press in 48 volumes. In 2017, a volume of Walpole's selected letters was published.

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Horace Walpole in the context of Gothic fiction

Gothic fiction, sometimes referred to as Gothic horror (primarily in the 20th century), is a literary aesthetic of fear and haunting. The name of the genre is derived from the Renaissance-era use of the word "gothic", as a pejorative term meaning medieval and barbaric, which itself originated from Gothic architecture and in turn the Goths.

The first work to be labelled as Gothic was Horace Walpole's 1764 novel The Castle of Otranto, later subtitled A Gothic Story. Subsequent 18th-century contributors included Clara Reeve, Ann Radcliffe, William Thomas Beckford, and Matthew Lewis. The Gothic influence continued into the early 19th century, with Romantic works by poets such as Samuel Taylor Coleridge and Lord Byron. Novelists such as Mary Shelley, Charles Maturin, Walter Scott, and E. T. A. Hoffmann frequently drew upon Gothic motifs in their works as well.

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Horace Walpole in the context of Painshill

Painshill (formally Painshill Park) is a restored, 18th-century English park and landscape garden in Cobham, Surrey, England. It was created between 1738 and 1773 by the owner, Charles Hamilton, from an area of heathland and woodland. Painshill is laid out as a series of scenes, crafted by combining architectural features with trees and shrubs, many of which are non-native species. Several of the surviving follies are listed in their own right, including the Gothic Tower, at the western end of the park, and the Gothic Temple, which overlooks the northern part of the lake. The Grotto, the largest in England, is decorated with crystalline mineral stones, including quartz, feldspar and Blue John.

In designing Painshill, Hamilton was influenced by 17th-century landscape artists, whose works he had encountered on Grand Tours in continental Europe. Instead of trying to replicate specific artworks, Hamilton used the techniques of landscape painting to create scenes with contrasting emotional tones – from the solemnity of the dark evergreens surrounding the Mausoleum, to the brighter trees and flowers at the Temple of Bacchus. Advocates of the Picturesque were complimentary of Hamilton's work, particularly the hillier, western half of the park, which Horace Walpole likened to a "kind of Alpine scene". International visitors to the park and garden included John Adams, the future American president, who wrote that "Paines Hill is the most striking piece of art that I have yet seen."

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Horace Walpole in the context of The Vyne

The Vyne is a Grade I listed 16th-century country house in the parish of Sherborne St John, near Basingstoke, in Hampshire, England. The house was first built circa 1500–10 in the Tudor style by William Sandys, 1st Baron Sandys, Lord Chamberlain to King Henry VIII. In the 17th century it was transformed to resemble a classical mansion. Today, although much reduced in size, the house retains its Tudor chapel, with contemporary stained glass. The classical portico on the north front was added in 1654 to the design of John Webb, a pupil of Inigo Jones, and is notable as the first portico in English domestic architecture.

In the mid-18th century the house belonged to John Chaloner Chute, a close friend of the architectural pioneer Horace Walpole, who designed the principal stair hall containing an imperial staircase the grand scale of which belies its true small size. In 1958 The Vyne was bequeathed by Charles Chute to the National Trust.

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Horace Walpole in the context of The Castle of Otranto

The Castle of Otranto is a novel by Horace Walpole. First published in 1764, it is generally regarded as the first Gothic novel. In the second edition, Walpole applied the word 'Gothic' to the novel in the subtitle – A Gothic Story. Set in a haunted castle, the novel merged medievalism and terror in a style that has endured ever since. The aesthetic of the book has shaped modern-day Gothic romance/horror books, films, art, music, and the Goth subculture.

Walpole was inspired to write the story after a nightmare he had at his Gothic Revival home, Strawberry Hill House, in Twickenham, southwest London. Claiming he saw a ghost in the nightmare—which featured a "gigantic hand in armour"—Walpole incorporated imagery from this into the novel, and also drew on his knowledge of medieval history.

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Horace Walpole in the context of Strawberry Hill House

Strawberry Hill House—often called simply Strawberry Hill—is a Gothic Revival villa in Twickenham, London, built by Horace Walpole from 1749 onward. It is the prototypical example of the "Strawberry Hill Gothic" style of architecture, and it prefigured the nineteenth-century Gothic Revival.

Walpole rebuilt the existing house in stages starting in 1749, 1760, 1772 and 1776. These additions introduced Gothic features such as towers and battlements outside and elaborate decoration inside to create "gloomth" to suit Walpole's collection of antiquarian objects, contrasting with the more cheerful or "riant" garden. The interior included gilded ceilings and intentionally grand fireplaces—with one by Robert Adam, along with small details like enamelled door handles, carved wooden screens, and ancestral-looking coats of arms; parts of the exterior were designed by James Essex. The garden contained a large seat shaped like a Rococo sea shell, which was recreated during the garden's 2012 restoration, one of the many examples of historic garden conservation in the UK.

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