Hollywood film in the context of "Cinema of China"

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⭐ Core Definition: Hollywood film

The film industry of the United States, primarily associated with major film studios collectively referred to as Hollywood, has significantly influenced the global film industry since the early 20th century.

Classical Hollywood cinema, a filmmaking style developed in the 1910s, continues to shape many American films today. While French filmmakers Auguste and Louis Lumière are often credited with modern cinema's origins, American filmmaking quickly rose to global dominance. As of 2017, more than 600 English-language films were released annually in the United States, making it the fourth-largest producer of films, trailing only India, Japan, and China. Although the United Kingdom, Canada, Australia, and New Zealand also produce English-language films, they are not directly part of the Hollywood system. Due to this global reach, Hollywood is frequently regarded as a transnational cinema with some films released in multiple language versions, such as Spanish and French.

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Hollywood film in the context of Princess Grace

Grace Patricia Kelly (November 12, 1929 – September 14, 1982) was an American actress and Princess of Monaco as the wife of Prince Rainier III from their marriage on April 18, 1956, until her death in 1982. Prior to her marriage, she achieved stardom in several significant Hollywood films in the early to mid-1950s. She received an Academy Award and three Golden Globe Awards, and was ranked 13th on the American Film Institute's 25 Greatest Female Stars list.

Kelly was born into a prominent Catholic family in Philadelphia. After graduating from the American Academy of Dramatic Arts in 1949, she began appearing in New York City theatrical productions and television broadcasts. Kelly made her film debut in Fourteen Hours (1951) and gained stardom from her roles in Fred Zinnemann's western film High Noon (1952), and John Ford's adventure-romance Mogambo (1953), the latter of which earned her the Academy Award for Best Supporting Actress nomination. She won the Academy Award for Best Actress for her performance in the drama The Country Girl (1954). Other notable works include the war film The Bridges at Toko-Ri (1954), the romantic comedy High Society (1956), and three Alfred Hitchcock suspense thrillers: Dial M for Murder (1954), Rear Window (1954), and To Catch a Thief (1955).

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Hollywood film in the context of American burlesque

American burlesque is a genre of variety show derived from elements of Victorian burlesque, music hall, and minstrel shows. Burlesque became popular in the United States in the late 1860s and slowly evolved to feature ribald comedy and female nudity. By the late 1920s, the striptease element overshadowed the comedy and subjected burlesque to extensive local legislation. Burlesque gradually lost its popularity, beginning in the 1940s. A number of producers sought to capitalize on nostalgia for the entertainment by recreating burlesque on the stage and in Hollywood films from the 1930s to the 1960s. There has been a resurgence of interest in this format since the 1990s.

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Hollywood film in the context of Film noir

Film noir (/nwɑːr/; French: [film nwaʁ]) is a style of Hollywood crime drama that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist cinematography. Many of the prototypical stories and attitudes expressed in classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression, known as noir fiction.

The term film noir, French for "black film" (literal) or "dark film" (closer meaning), was first applied to Hollywood films by French critic Nino Frank in 1946, but was unrecognized by most American film industry professionals of that era. Frank is believed to have been inspired by the French literary publishing imprint Série noire, founded in 1945.

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Hollywood film in the context of Helen Gahagan Douglas

Helen Gahagan Douglas (born Helen Mary Gahagan; November 25, 1900 – June 28, 1980) was an American actress and politician.

Gahagan Douglas's acting career included success on Broadway, as a touring opera singer, and in Hollywood films. Her portrayal of the villain in She (1935) inspired the Evil Queen in Snow White and the Seven Dwarfs (1937).

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