Historical kana orthography in the context of "Japanese script reform"

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⭐ Core Definition: Historical kana orthography

The kana orthography (正仮名遣い, sei kana-zukai) in general use for writing the Japanese language until orthographic reforms after World War II is referred to as historical kana orthography (歴史的仮名遣い, rekishiteki kanazukai) or old orthography (旧仮名遣い, kyū kanazukai). The current orthography was adopted by Cabinet order in 1946. By that point the historical orthography was no longer in accord with Japanese pronunciation. It differs from modern usage (現代仮名遣い, gendai kanazukai) in the number of characters and the way those characters are used. There was considerable opposition to the official adoption of the current orthography, on the grounds that the historical orthography conveys meanings better, and some writers continued to use it for many years after.

The historical orthography is found in almost all Japanese dictionaries, such as Kōjien. In the current edition of the Kōjien, if the historical orthography is different from the modern spelling, the old spelling is printed in tiny katakana between the modern kana and kanji transcriptions of the word. Ellipses are used to save space when the historical and modern spellings are identical. Older editions of the Kōjien gave priority to the historical orthography.

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Historical kana orthography in the context of Susanoo-no-Mikoto

Susanoo (スサノオ, Japanese pronunciation: [sɯ̥.sa.noꜜː]; historical orthography: スサノヲ, 'Susanowo'), often referred to by the honorific title Susanoo-no-Mikoto ([sɯ̥.sa.noꜜː no mʲi.ko.to]), is a kami in Japanese mythology. The younger brother of Amaterasu, goddess of the sun and mythical ancestress of the Japanese imperial line, he is a multifaceted deity with contradictory characteristics (both good and bad), being portrayed in various stories either as a wild, impetuous god associated with the sea and storms, as a heroic figure who killed a monstrous serpent, or as a local deity linked with the harvest and agriculture. Syncretic beliefs of the Gion cult that arose after the introduction of Buddhism to Japan also saw Susanoo becoming conflated with deities of pestilence and disease.

Susanoo, alongside Amaterasu and the earthly kami Ōkuninushi (also Ōnamuchi) – depicted as either Susanoo's son or scion depending on the source – is one of the central deities of the imperial Japanese mythological cycle recorded in the Kojiki (c. 712 CE) and the Nihon Shoki (720 CE). One of the gazetteer reports (Fudoki) commissioned by the imperial court during the same period these texts were written, that of Izumo Province (modern Shimane Prefecture) in western Japan, also contains a number of short legends concerning Susanoo or his children, suggesting a connection between the god and this region.

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Historical kana orthography in the context of Uesugi clan

The Uesugi clan (上杉氏, Uesugi-shi, historically also Uyesugi) is a Japanese samurai clan which was at its peak one of the most powerful during the Muromachi and Sengoku periods (14th to 17th centuries). At its height, the clan had three main branches: the Ōgigayatsu, Inukake, and Yamanouchi. Its most well-known member is the warlord Uesugi Kenshin (1530–1578).

During the Edo period, the Uesugi were a tozama or outsider clan, in contrast with the fudai or insider daimyō clans which had been hereditary vassals or allies of the Tokugawa clan.

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Historical kana orthography in the context of Hongan-ji

Hongan-ji (本願寺, Temple of the Primal Vow), also archaically romanized as Hongwanji, is the collective name of the largest school of Jōdo Shinshū Buddhism, which further sub-divides into the Nishi (Western) and Higashi (Eastern) branches. 'Hongan-ji' may also refer to any one of several actual temple buildings associated with the sect. Nishi Honganji (西本願寺) and Higashi Honganji (東本願寺) are two major temples in Kyoto.

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Historical kana orthography in the context of Ōkuninushi

Ōkuninushi (大国主おおくにぬし; historical orthography: オホクニヌシ, 'Ohokuninushi'), also known as Ō(a)namuchi (Oho(a)namuchi) or Ō(a)namochi (Oho(a)namochi) among other variants, is a kami in Japanese mythology. He is one of the central deities in the cycle of myths recorded in the Kojiki (c. 712 CE) and the Nihon Shoki (720 CE) alongside the sun goddess Amaterasu and her brother, the wild god Susanoo, who is reckoned to be either Ōkuninushi's distant ancestor or father. In these texts, Ōkuninushi (Ōnamuchi) is portrayed as the head of the kunitsukami, the gods of the earth, and the original ruler of the terrestrial world, named Ashihara no Nakatsukuni (葦原中国, the "Central Land of Reed Plains"). When the heavenly deities (amatsukami) headed by Amaterasu demanded that he relinquish his rule over the land, Ōkuninushi agreed to their terms and withdrew into the unseen world (幽世, kakuriyo), which was given to him to rule over in exchange. Amaterasu's grandson Ninigi then came down from heaven to govern Ashihara no Nakatsukuni and eventually became the ancestor of the Japanese imperial line.

Ōkuninushi is closely associated with the province of Izumo (modern Shimane Prefecture) in western Japan; indeed, the myth of his surrender to the gods of heaven may reflect the subjugation and absorption of this area by the Yamato court based in what is now Nara Prefecture. Aside from the Kojiki and the Shoki, the imperially-commissioned gazetteer report (Fudoki) of this province dating from the early 7th century contain many myths concerning Ōkuninushi (there named 'Ōanamochi') and related deities. Myths which feature Ōkuninushi (or deities equated with him) are also found in the Fudoki of other provinces such as those of Harima (modern southwestern Hyōgo Prefecture). He is also known for his romantic escapades with a number of goddesses which resulted in many divine offspring, including the gods Kotoshironushi and Takeminakata.

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