High-tech architecture in the context of "Structural element"

Postmodern architecture is a style or movement which emerged in the 1960s as a reaction against the austerity, formality, and lack of variety of modern architecture, particularly in the international style championed by Philip Johnson and Henry-Russell Hitchcock. The movement was formally introduced by the architect and urban planner Denise Scott Brown and architectural theorist Robert Venturi in their 1972 book Learning from Las Vegas, building upon Venturi's "gentle manifesto" Complexity and Contradiction in Architecture, published by the Museum of Modern Art in New York in 1966.

The style flourished from the 1980s through the 1990s, particularly in the work of Scott Brown & Venturi, Philip Johnson, Charles Moore and Michael Graves. In the late 1990s, it divided into a multitude of new tendencies, including high-tech architecture, neo-futurism, new classical architecture, and deconstructivism. However, some buildings built after this period are still considered postmodern.

The Centre Pompidou (French pronunciation: [sɑ̃tʁ pɔ̃pidu]), more fully the Centre national d'art et de culture Georges-Pompidou (lit. 'National Georges Pompidou Centre of Art and Culture'), also known as the Pompidou Centre in English and colloquially as Beaubourg, is a building complex in Paris, France. It was designed in the style of high-tech architecture by the architectural team of Richard Rogers, Su Rogers and Renzo Piano, along with Gianfranco Franchini. It is named after Georges Pompidou, the President of France from 1969 to 1974 who commissioned the building, and was officially opened on 31 January 1977 by President Valéry Giscard d'Estaing.

Centre Pompidou is located in the Beaubourg area of the 4th arrondissement of Paris. It houses the Bibliothèque publique d'information (BPI; Public Information Library), a vast public library, and the Musée National d'Art Moderne, the largest museum for modern art in Europe. The Place Georges Pompidou is an open plaza in front of the museum.

Contemporary architecture is the architecture of the 21st century. No single style is dominant. Contemporary architects work in several different styles, from postmodernism, high-tech architecture and new references and interpretations of traditional architecture like New Classical architecture to highly conceptual forms and designs, resembling sculpture on an enormous scale. Some of these styles and approaches make use of very advanced technology and modern building materials, such as tube structures which allow construction of buildings that are taller, lighter and stronger than those in the 20th century, while others prioritize the use of natural and ecological materials like stone, wood and lime. One technology that is common to all forms of contemporary architecture is the use of new techniques of computer-aided design, which allow buildings to be designed and modeled on computers in three dimensions, and constructed with more precision and speed.

Contemporary buildings and styles vary greatly. Some feature concrete structures wrapped in glass or aluminium screens, very asymmetric facades, and cantilevered sections which hang over the street. Skyscrapers twist, or break into crystal-like facets. Facades are designed to shimmer or change color at different times of day.

Richard George Rogers, Baron Rogers of Riverside (23 July 1933 – 18 December 2021) was a British-Italian architect noted for his modernist and constructivist designs in high-tech architecture. He was the founder at Rogers Stirk Harbour + Partners, previously known as the Richard Rogers Partnership, until June 2020. After Rogers' retirement and death, the firm rebranded to simply RSHP on 30 June 2022.

Rogers was perhaps best known for his work on the Pompidou Centre in Paris, the Lloyd's building and Millennium Dome, both in London, the Senedd building, in Cardiff, and the European Court of Human Rights building, in Strasbourg. He was awarded the RIBA Gold Medal, the Thomas Jefferson Medal, the RIBA Stirling Prize, the Minerva Medal, and the 2007 Pritzker Prize.

New Formalism is an architectural style that emerged in the United States during the mid-1950s and flowered between the 1960s and 1980s. Buildings designed in that style exhibited many Classical elements including "strict symmetrical elevations" building proportion and scale, Classical columns, highly stylized entablatures and colonnades. The style was used primarily for high-profile cultural, high tech, institutional and civic buildings. Edward Durrell Stone's New Delhi American Embassy (1954), which blended the architecture of the east with modern western concepts, is considered to be the symbolic start of New Formalism architecture.

Grimshaw Architects (formerly Nicholas Grimshaw & Partners) is an architectural firm based in London. Founded in 1980 by Nicholas Grimshaw, the firm was one of the pioneers of high-tech architecture. In particular, they are known for their design of transport projects including Amsterdam Bijlmer ArenA railway station, Waterloo International railway station and the award-winning Southern Cross railway station which was the recipient of the Royal Institute of British Architects Lubetkin Prize. Grimshaw is behind the design of the Sustainability Pavilion, an innovative net-zero building, for Expo 2020. The firm currently has offices in Los Angeles, New York, London, Paris, Dubai, Melbourne and Sydney, employing over 600 staff.