Henry VI, Part 1 in the context of "Wars of the Roses"

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⭐ Core Definition: Henry VI, Part 1

Henry VI, Part 1, often referred to as 1 Henry VI, is a history play by William Shakespeare—possibly in collaboration with Thomas Nashe and others—believed to have been written in 1591. It is set during the lifetime of King Henry VI of England.

Henry VI, Part 1 deals with the loss of England's French territories and the political machinations leading up to the Wars of the Roses, as the English political system is torn apart by personal squabbles and petty jealousy. Henry VI, Part 2 deals with the King's inability to quell the bickering of his nobles and the inevitability of armed conflict and Henry VI, Part 3 deals with the horrors of that conflict.

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Henry VI, Part 1 in the context of Richard III (play)

The Tragedy of Richard the Third, often shortened to Richard III, is a play by William Shakespeare, which depicts the Machiavellian rise to power and subsequent short reign of King Richard III of England. It was probably written c. 1592–1594. It is labelled a history in the First Folio, and is usually considered one, but it is sometimes called a tragedy, as in the quarto edition. Richard III concludes Shakespeare's first tetralogy which also contains Henry VI, Part 1, Henry VI, Part 2, and Henry VI, Part 3.

It is the second longest play in the Shakespearean canon by word count and the fourth longest by number of lines, as well as the longest of the First Folio, whose version of Hamlet, otherwise the longest, is shorter than its quarto counterpart. The play is often abridged for brevity, and peripheral characters removed. In such cases, extra lines are often invented or added from elsewhere to establish the nature of the characters' relationships. A further reason for abridgment is that Shakespeare assumed his audiences' familiarity with his Henry VI plays, frequently referring to them.

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Henry VI, Part 1 in the context of Shakespearean history

In the First Folio (1623), the plays of William Shakespeare were in three categories: (i) comedies, (ii) histories, and (iii) tragedies. Alongside the history plays of his Renaissance playwright contemporaries, the histories of Shakespeare define the theatrical genre of history plays. The historical plays also are biographies of the English kings of the previous four centuries, and include the plays King John, Edward III, and Henry VIII, and a continual sequence of eight plays known as the Henriad, for the protagonist Prince Hal, the future King Henry V of England.

The chronology of Shakespeare's plays indicates that the first tetralogy was written in the early 1590s, and discusses the politics of the Wars of the Roses; the four plays are Henry VI, parts I, II, and III, and The Tragedy of Richard the Third. The second tetralogy was completed in 1599, and comprises the history plays Richard II, Henry IV, parts I and II, and Henry V.

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Henry VI, Part 1 in the context of Henry VI, Part 2

Henry VI, Part 2 (1591) is a Shakespearean history play about King Henry VI of England's inability to quell the bickering of his noblemen, the death of his trusted advisor Humphrey, Duke of Gloucester, and the political rise of Richard of York, 3rd Duke of York; it culminates with the First Battle of St Albans (1455), the initial battle of the Wars of the Roses, which were civil wars between the House of Lancaster and the House of York.

In the early historical narrative of Henry VI, Part 1 (1591), William Shakespeare deals with the low morale consequent to the loss of England's French territories (1429–1453) during the Hundred Years' War (1337–1453) and the political machinations that precipitated the Wars of the Roses (1455–1487). In the concluding play, Henry VI, Part 3 (1591), he deals with the fraternal horrors of civil war amongst Englishmen.

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Henry VI, Part 1 in the context of Henry VI, Part 3

Henry VI, Part 3 (often written as 3 Henry VI) is a history play by William Shakespeare believed to have been written in 1591 and set during the lifetime of King Henry VI of England. Whereas 1 Henry VI deals with the loss of England's French territories and the political machinations leading up to the Wars of the Roses and 2 Henry VI focuses on the King's inability to quell the bickering of his nobles, and the inevitability of armed conflict, 3 Henry VI deals primarily with the horrors of that conflict, with the once stable nation thrown into chaos and barbarism as families break down and moral codes are subverted in the pursuit of revenge and power.

Although the Henry VI trilogy may not have been written in chronological order, the three plays are often grouped together with Richard III to form a tetralogy covering the entire Wars of the Roses saga, from the death of Henry V in 1422 to the rise to power of Henry VII in 1485. It was the success of this sequence of plays that firmly established Shakespeare's reputation as a playwright.

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Henry VI, Part 1 in the context of The Rose (theatre)

The Rose was an Elizabethan playhouse, built by theatre entrepreneur Philip Henslowe in 1587. It was the fifth public playhouse to be built in London, after the Red Lion in Whitechapel (1567), The Theatre (1576) and the Curtain (1577), both in Shoreditch, and the theatre at Newington Butts (c. 1580?) – and the first of several playhouses to be situated in Bankside, Southwark, in a liberty outside the jurisdiction of the City of London's civic authorities. Two of the earliest plays by William ShakespeareTitus Andronicus and Henry VI, Part 1 – are recorded as having been performed there, as well as plays by dramatists such as Christopher Marlowe, Thomas Kyd, Robert Greene, George Peele, Thomas Dekker, Michael Drayton, Ben Jonson and Thomas Heywood. The Rose's archaeological remains were rediscovered in 1989 during the redevelopment of the site to build an office block, and were partially excavated. After a public campaign to preserve the remains, they are now listed by Historic England as a Scheduled Monument at Risk. Subsequently the site has become an exhibition space and theatre venue, known as The Rose Playhouse, administered by The Rose Theatre Trust, a registered charity, which plans to first complete the excavation and preservation of the remains, and then to build a new visitor, education and arts centre there.

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