Hellenes in the context of "Greek colonies"

Ancient Greek art is the visual and applied arts, as well as the architecture, produced by the Hellenes or Greek peoples from the start of the Iron Age to the Hellenistic period, ending with Roman conquest of Greece at the Battle of Corinth in 146 BCE. It stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.

Greek architecture, technically very simple, established a harmonious style with numerous detailed conventions that were largely adopted by Roman architecture and are still followed in some modern buildings. It used a vocabulary of ornament that was shared with pottery, metalwork and other media, and had an enormous influence on Eurasian art, especially after Buddhism carried it beyond the expanded Greek world created by Alexander the Great. The social context of Greek art included radical political developments and a great increase in prosperity; the equally impressive Greek achievements in philosophy, literature and other fields are well known.

Dodona (/doʊˈdoʊnə/; Doric Greek: Δωδώνα, romanized: Dōdṓnā, Ionic and Attic Greek: Δωδώνη, Dōdṓnē) in Epirus in northwestern Greece was the oldest Hellenic oracle, possibly dating to the 2nd millennium BCE according to Herodotus. The earliest accounts in Homer describe Dodona as an oracle of Zeus. Situated in a remote region away from the main Greek poleis, it was considered second only to the Oracle of Delphi in prestige.

Aristotle considered the region around Dodona to have been part of Hellas and the region where the Hellenes originated. The oracle was first under the control of the Thesprotians before it passed into the hands of the Molossians. It remained an important religious sanctuary until the rise of Christianity during the Late Roman era.

In Greek mythology, Pelops (/ˈpiːlɒps, ˈpɛlɒps/; Ancient Greek: Πέλοψ, romanized: Pélops) was king of Pisa in the Peloponnesus region (Πελοπόννησος, lit. "Pelops's Island"). He was the son of Tantalus and the father of Atreus.

He was venerated at Olympia, where his cult developed into the founding myth of the Olympic Games, the most important expression of unity, not only for the people of Peloponnesus, but for all Hellenes. At the sanctuary at Olympia, chthonic night-time libations were offered each time to "dark-faced" Pelops in his sacrificial pit (bothros) before they were offered in the following daylight to the sky-god Zeus (Burkert 1983:96).