Hauntology (music) in the context of "Chillwave"

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⭐ Core Definition: Hauntology (music)

Hauntology is a music genre, movement or a loosely defined stylistic feature that evokes cultural memory and aesthetics of the past. It developed in the 2000s primarily among British electronic musicians, and typically draws on British cultural sources from the 1930s to the 1960s, including library music, film and TV soundtracks, psychedelia, and public information films; often through the use of sampling.

The term was derived from philosopher Jacques Derrida's concept of the same name. In the mid-2000s, it was adapted by theorists Simon Reynolds and Mark Fisher. Hauntology is associated with the UK record labels Ghost Box and Trunk Records, in addition to artists such as the Caretaker, Burial, and Philip Jeck. Music genres hypnagogic pop and chillwave descended from hauntology.

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Hauntology (music) in the context of Jacques Derrida

Jacques Derrida (/dɛrɪˈdɑː/; French: [ʒak dɛʁida]; born Jackie Élie Derrida; 15 July 1930 – 9 October 2004) was a French philosopher. He developed the philosophy of deconstruction, which he utilized in a number of his texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology. He is one of the major figures associated with post-structuralism and postmodern philosophy although he distanced himself from post-structuralism and disavowed the word "postmodernity".

During his career, Derrida published over 40 books, together with hundreds of essays and public presentations. He has had a significant influence on the humanities and social sciences, including philosophy, literature, law, anthropology, historiography, applied linguistics, sociolinguistics, psychoanalysis, music, architecture, and political theory.

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Hauntology (music) in the context of Hypnagogic pop

Hypnagogic pop (or simply h-pop) is a loosely defined style of pop and psychedelic music that evokes cultural memory and nostalgia for the popular entertainment of the past (principally the 1980s). It emerged in the mid to late 2000s out of the American post-noise underground as Gen X lo-fi and noise musicians began adopting retro aesthetics from their childhood, such as radio and soft rock, new wave music, video game music, synth-pop and R&B. Recordings were typically marked by the use of outmoded analog equipment and DIY experimentation, while distributed on cassettes and CD-R's with circulation primarily based on the Internet through blog sites.

The genre's name was coined by journalist David Keenan in an August 2009 issue of The Wire to label the developing trend, which he characterized as "pop music refracted through the memory of a memory." It was used interchangeably with "chillwave" or "glo-fi" and gained critical attention through artists such as Ariel Pink and James Ferraro. The music has been variously described as a 21st-century update of psychedelia, a reappropriation of media-saturated capitalist culture, and an "American cousin" to British hauntology.

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Hauntology (music) in the context of Ghost Box

Ghost Box is an independent, UK-based electronic music record label, launched in 2004 by graphic designer Julian House and producer Jim Jupp. Its roster includes artists such as Jupp's Belbury Poly, House's The Focus Group, and the Advisory Circle, as well as releases by Broadcast and John Foxx among others.

The label's distinctive aesthetic draws on outdated and esoteric British cultural sources from the postwar period, including early electronic and library music, public information films, educational resources, occult stories, and BBC science-fiction programs. Ghost Box consequently became associated with the 2000s music trend known as hauntology.

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