Harry Houdini in the context of Stunt performer

Magic is a performing art in which audiences are entertained by tricks, effects, or illusions of seemingly impossible feats, using natural means. It encompasses the subgenres of close-up magic, parlor magic, and stage magic, among others. It is to be distinguished from paranormal magic which are effects claimed to be created through supernatural means. It is one of the oldest performing arts in the world.

Modern entertainment magic, as pioneered by 19th-century magician Jean-Eugène Robert-Houdin, has become a popular theatrical art form. In the late 19th and early 20th centuries, magicians such as John Nevil Maskelyne and David Devant, Howard Thurston, Harry Kellar, and Harry Houdini achieved widespread commercial success during what has become known as "the Golden Age of Magic", a period in which performance magic became a staple of Broadway theatre, vaudeville, and music halls. Meanwhile, magicians such as Georges Méliès, Gaston Velle, Walter R. Booth, and Orson Welles introduced pioneering filmmaking techniques informed by their knowledge of magic.

Harry Kellar (born Heinrich Keller; July 11, 1849 – March 10, 1922) was an American magician who presented large stage shows during the late 19th and early 20th centuries.

Kellar was a predecessor of Harry Houdini and a successor of Robert Heller and Isaiah Hughes, under whom he apprenticed. He was often referred to as the "Dean of American Magicians" and performed extensively on five continents. One of his most memorable stage illusions was the levitation of a girl advertised as the "Levitation of Princess Karnac", copied from an illusion invented by John Nevil Maskelyne, which was later bought by Harry Blackstone Sr.

Escapology is the practice of escaping from restraints or other traps. Escapologists (also called escape artists) escape from handcuffs, straitjackets, cages, coffins, steel boxes, barrels, bags, burning buildings, fish-tanks, and other perils, often in combination.

Walter Brown Gibson (September 12, 1897 – December 6, 1985) was an American writer and professional magician, best known for his work on the pulp fiction character The Shadow, and as a ghost-writer for many of his friend Harry Houdini's books. Gibson, under the pen-name Maxwell Grant, wrote 282 of the original 325 'The Shadow' novels/novellas during the 1930s/1940s, writing up to "10,000 words a day" to satisfy public demand during the character's golden age. He authored several novels in the Biff Brewster juvenile series of the 1960s. He was married to Litzka R. Gibson, also a writer, and the couple lived in New York state.

Magic is a performing art in which audiences are entertained by tricks, effects, or illusions of seemingly impossible feats, using natural means. It encompasses the subgenres of close-up magic, parlor magic, and stage magic, among others. It is to be distinguished from supernatural magic which are effects claimed to be created through supernatural means. It is one of the oldest performing arts in the world.

Modern entertainment magic, as pioneered by 19th-century magician Jean-Eugène Robert-Houdin, has become a popular theatrical art form. In the late 19th and early 20th centuries, magicians such as John Nevil Maskelyne and David Devant, Howard Thurston, Harry Kellar, and Harry Houdini achieved widespread commercial success during what has become known as "the Golden Age of Magic", a period in which performance magic became a staple of Broadway theatre, vaudeville, and music halls. Meanwhile, magicians such as Georges Méliès, Gaston Velle, Walter R. Booth, and Orson Welles introduced pioneering filmmaking techniques informed by their knowledge of magic.

Martin Beck (July 31, 1868 – November 16, 1940) was a vaudeville theatre owner and manager, and theatrical booking agent, who founded the Orpheum Circuit, and built the Palace and Martin Beck Theatres in New York City's Broadway Theatre District. He was a booking agent for, and became a close personal friend of the prominent magician, Harry Houdini.

Dime museums were establishments that grew in popularity starting from 1870 that were used to display freak show performers, human anatomy exhibitions, dioramas, oddities, and moral lectures to the general public. These institutions peaked in popularity at the end of the 19th century all throughout the United States. Designed as centers for entertainment and moral education for the working class (lowbrow), the museums were distinctly different from upper middle class cultural events (highbrow). In urban centers like New York City, where many immigrants settled, dime museums were popular and cheap entertainment. The social trend reached its peak during the Progressive Era (c. 1890–1920). Although lowbrow entertainment, they were the starting places for the careers of many notable vaudeville-era entertainers, including Harry Houdini, Lew Fields, Joe Weber, the Griffin Sisters, and Maggie Cline.