Hans Holbein the Younger in the context of "Works of Erasmus"

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⭐ Core Definition: Hans Holbein the Younger

Hans Holbein the Younger (UK: /ˈhɒlbn/ HOL-byne, US: /ˈhlbn, ˈhɔːl-/ HOHL-byne, HAWL-; German: Hans Holbein der Jüngere; c. 1497 – between 7 October and 29 November 1543) was a German-Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. He also produced religious art, satire, and Reformation propaganda, and he made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father Hans Holbein the Elder, an accomplished painter of the Late Gothic school.

Holbein was born in Augsburg but worked mainly in Basel as a young artist. At first, he painted murals and religious works, and designed stained glass windows and illustrations for books from the printer Johann Froben. He also painted an occasional portrait, making his international mark with portraits of humanist Desiderius Erasmus. When the Reformation reached Basel, Holbein worked for reformist clients while continuing to serve traditional religious patrons. His Late Gothic style was enriched by artistic trends in Italy, France, and the Netherlands, as well as by Renaissance humanism. The result was a combined aesthetic uniquely his own.

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👉 Hans Holbein the Younger in the context of Works of Erasmus

Desiderius Erasmus was the most popular, most printed and arguably most influential author of the early Sixteenth Century, read in all nations in the West and frequently translated. By the 1530s, the writings of Erasmus accounted for 10 to 20 percent of all book sales in Europe. "Undoubtedly he was the most read author of his age."

His vast number of Latin and Greek publications included translations, paraphrases, letters, textbooks, plays for schoolboys, commentary, poems, liturgies, satires, sermons, and prayers. He is noted for his extensive scholarly editions of the New Testament and the complete works of numerous Church Fathers. A large number of his later works were defences of his earlier work from attacks by Catholic and Protestant theological and literary opponents.

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Hans Holbein the Younger in the context of Iconography

Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word iconography comes from the Greek εἰκών ("image") and γράφειν ("to write" or to draw).

A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting".

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Hans Holbein the Younger in the context of English Reformation

The English Reformation began in 16th-century England when the Church of England broke away first from the authority of the pope and bishops over the King and then from some doctrines and practices of the Catholic Church. These events were part of the wider European Reformation: various religious and political movements that affected both the practice of Christianity in Western and Central Europe and relations between church and state.

The English Reformation began as more of a political affair than a theological dispute. In 1527 Henry VIII sought an annulment of his marriage, but Pope Clement VII refused. In response, the Reformation Parliament (1529–1536) passed laws abolishing papal authority in England and declared Henry to be head of the Church of England. Final authority in doctrinal disputes now rested with the monarch. Though a religious traditionalist himself, Henry relied on Protestants to support and implement his religious agenda.

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Hans Holbein the Younger in the context of Two-page spread

Book design is the graphic art of determining the visual and physical characteristics of a book. The design process begins after an author and editor finalize the manuscript, at which point it is passed to the production stage. During production, graphic artists, art directors, or professionals in similar roles will work with printing press operators to decide on visual elements—including typography, margins, illustrations, and page layout—and physical features, such as trim size, type of paper, kind of printing, binding.

From the late Middle Ages to the 21st century, the basic structure and organization of Western books have remained largely unchanged. Front matter introduces readers to the book, offering practical information like the title, author and publisher details, and an overview of the content. It may also include editorial or authorial notes providing context. This is followed by the main content of the book, often broadly organized into chapters or sections. The book concludes with back matter, which may include bibliographies, appendices, indexes, glossaries, or errata.

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Hans Holbein the Younger in the context of Kunstmuseum Basel

The Kunstmuseum Basel houses the oldest public art collection in the world and is generally considered to be the most important museum of art in Switzerland. It is listed as a Swiss heritage site of national significance.

Its lineage extends back to the Amerbach Cabinet, which included a collection of works by Hans Holbein purchased by the city of Basel and the University of Basel in 1661, which made it the first municipally owned and therefore open to the public museum in the world. Its collection is distinguished by an impressively wide historic span, from the early 15th century up to the immediate present. Its various areas of emphasis give it international standing as one of the most significant museums of its kind. These encompass paintings and drawings by artists active in the Upper Rhine region between 1400 and 1600, as well as the art of the 19th to 21st centuries.

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Hans Holbein the Younger in the context of The Ambassadors (Holbein)

The Ambassadors is a 1533 painting by Hans Holbein the Younger. Also known as Jean de Dinteville and Georges de Selve, after the two people it portrays, it was created in the Tudor period, in the same year Elizabeth I was born. Franny Moyle speculates that Elizabeth's mother, Anne Boleyn, then Queen of England, might have commissioned it as a gift for Jean de Dinteville, the French ambassador, portrayed on the left. De Selve was a Catholic bishop.

As well as being a double portrait, the painting contains a still life of meticulously rendered objects, the meaning of which is the cause of much debate. An array of expensive scientific objects, related to knowing the time and the cosmos are prominently displayed. Several refer to Rome, the seat of the Pope. A second shelf of objects shows a lute with a broken string, a symbol of discord, next to a hymnal composed by Martin Luther.

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Hans Holbein the Younger in the context of Silverpoint

Silverpoint (one of several types of metalpoint) is a traditional drawing technique and tool first used by medieval scribes on manuscripts.

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