William-Adolphe Bouguereau in the context of "Virginity"

Academic art, academicism, or academism, is a style of painting and sculpture produced under the influence of European academies of art. This method extended its influence throughout the Western world over several centuries, from its origins in Italy in the mid-16th century, until its dissipation in the early 20th century. It reached its apogee in the 19th century, after the end of the Napoleonic Wars in 1815. In this period, the standards of the French Académie des Beaux-Arts were very influential, combining elements of Neoclassicism and Romanticism, with Jean-Auguste-Dominique Ingres a key figure in the formation of the style in painting. The success of the French model led to the founding of countless other art academies in several countries. Later painters who tried to continue the synthesis included William-Adolphe Bouguereau, Thomas Couture, and Hans Makart among many others. In sculpture, academic art is characterized by a tendency towards monumentality, as in the works of Auguste Bartholdi and Daniel Chester French.

The academies were established to replace medieval artists' guilds and aimed to systematize the teaching of art. They emphasized the emulation of established masters and the classical tradition, downplaying the importance of individual creativity, valuing instead collective, aesthetic and ethical concepts. By helping raise the professional status of artists, the academies distanced them from artisans and brought them closer to intellectuals. They also played a crucial role in organizing the art world, controlling cultural ideology, taste, criticism, the art market, as well as the exhibition and dissemination of art. They wielded significant influence due to their association with state power, often acting as conduits for the dissemination of artistic, political, and social ideals, by deciding what was considered "official art". As a result, they faced criticism and controversy from artists and others on the margins of these academic circles, and their restrictive and universalist regulations are sometimes considered a reflection of absolutism.

The palm branch, or palm frond, is a symbol of victory, triumph, peace, and eternal life originating in the ancient Near East and Mediterranean world. The palm (Phoenix) was sacred in Mesopotamian religions, and in ancient Egypt represented immortality. In Judaism, the lulav, a closed frond of the date palm is part of the festival of Sukkot. A palm branch was awarded to victorious athletes in ancient Greece, and a palm frond or the tree itself is one of the most common attributes of Victory personified in ancient Rome.

In Christianity, the palm branch is associated with Jesus' Triumphal Entry into Jerusalem, celebrated on Palm Sunday, when the Gospel of John says of the citizens, "they took palm branches and went out to meet Him" (12:13 HCSB). Additionally, the palm has meaning in Christian iconography, representing victory, i.e. the victory of the spirit over the flesh (Revelation 7:9).

An engagement or betrothal is the period of time between the declaration of acceptance of a marriage proposal and the marriage itself (which is typically but not always commenced with a wedding). During this period, a couple is said to be fiancés (from the French), "betrothed", "intended", "affianced", "engaged to be married", or simply "engaged". Future brides and grooms may be called fiancée (feminine) or fiancé (masculine), "the betrothed", "wife-to-be" or "husband-to-be", respectively. The duration of the courtship varies vastly, and is largely dependent on cultural norms or upon the agreement of the parties involved.

Long engagements were once common in formal arranged marriages, and it was not uncommon for parents betrothing children to arrange marriages many years before the engaged couple were old enough. This is still done in some countries.

The Feast of the Most Holy Name of the Blessed Virgin Mary is an optional memorial celebrated in the liturgical calendar of the Catholic Church on 12 September. It has been a universal Roman Rite feast since 1684, when Pope Innocent XI included it in the General Roman Calendar to commemorate the victory at the Battle of Vienna in 1683. It was initially removed from the current Church calendar in the liturgical reform following Vatican II, but it was restored by Pope John Paul II in 2002 along with the Feast of the Holy Name of Jesus in January.

Within the Eastern Orthodox Church, the feast is celebrated on 7 September in the Antiochian Western Rite Vicariate.

In Greek mythology, Oreads (/ˈɔːriˌæd, ˈɔːriəd/; Ancient Greek: Ὀρειάς, romanized: Oreiás) or Orestiads (/ɔːˈrɛstiˌæd, -iəd/; Ὀρεστιάδες, Orestiádes) are mountain nymphs. They are described as being companions of Artemis, or as being found alongside gods such as Pan or Dionysus.

A 2nd-century AD epigram relates that, with the help of the daughters of Nilus, they erected a place of worship in honour of the woman Isidora, who died by drowning.

Physical intimacy is sensuous or touching. It is an act or reaction, such as an expression of feelings (including close friendship, platonic love, romantic love, or sexual attraction), between people. Examples of physical intimacy include holding hands, hugging, kissing, caressing and sexual activity. Physical intimacy can often convey the real meaning or intention of an interaction in a way that accompanying speech cannot do. Physical intimacy can be exchanged between any people but as it is often used to communicate positive and intimate feelings, it most often occurs in people who have a preexisting relationship, whether familial, platonic or romantic, with romantic relationships having increased physical intimacy. Several forms of romantic touch have been noted including holding hands, hugging, kissing, cuddling, as well as caressing and massaging. Physical affection is highly correlated with overall relationship and partner satisfaction.

It is possible to be physically intimate with someone without actually touching them; however, a certain proximity is necessary. For instance, a sustained eye contact is considered a form of physical intimacy, analogous to touching. When a person enters someone else's personal space for the purpose of being intimate, it is physical intimacy, regardless of the lack of actual physical contact.