Hampton Court in the context of Elizabeth Percy, Countess of Northumberland

Alfred Sisley (/ˈsɪsli/; French: [sislɛ]; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape en plein air (i.e., outdoors). He deviated into figure painting only rarely and, unlike Renoir and Pissarro, he found that Impressionism fulfilled his artistic needs.

Among his important works are a series of paintings of the River Thames, mostly around Hampton Court, executed in 1874, and landscapes depicting places in or near Moret-sur-Loing. The notable paintings of the Seine and its bridges in the former suburbs of Paris are like many of his landscapes, characterised by tranquillity, in pale shades of green, pink, purple, dusty blue and cream. Over the years Sisley's power of expression and colour intensity increased.

Henry Flitcroft (30 August 1697 – 25 February 1769) was a major English architect in the second generation of Palladianism. He came from a humble background; his father was a labourer in the gardens at Hampton Court. Flitcroft began his career as a joiner. While working as a carpenter at Burlington House, he fell from a scaffold and broke his leg. During his recovery, the young Lord Burlington noticed his talent with a pencil. By 1720, Flitcroft was Burlington's draughtsman and general architectural assistant, surveying at Westminster School for Burlington's dormitory and superintending on site at Tottenham House. Working within Burlington's inner circle, which championed the new Palladian architecture, provided Flitcroft with valuable education.

Flitcroft redrew the plates for publication in The Designs of Mr. Inigo Jones, published by William Kent in 1727 under Burlington's patronage and supervision. In May 1726, Burlington secured his protégé an appointment at the Office of Works, where he advanced from Master Carpenter and Master Mason to Comptroller of the King's Works, a prestigious position. He also received royal commissions for private projects for junior members of the British royal family, notably Prince William, Duke of Cumberland to whom he had been his "architectural tutor". His work for the Duke at Windsor Great Park included collaborating with Thomas Sandby who worked as Flitcroft's assistant when designing Virginia Water Lake's 'Great Bridge'.

An Allegory of Truth and Time is a 1584–85 oil on canvas painting by the Italian Baroque master Annibale Carracci, now on display in Hampton Court as part of the Royal Collection.

It is not mentioned in any of the 17th-century biographical sources on Carracci's life and it is thought to have been in England by the early 18th century at the latest. The first definite reference to it dates to the mid 19th century, by which time it was in Queen Victoria's collection and thought to be by an unknown artist. Roberto Longhi and Hermann Voss assigned it its present attribution in the early 20th century.

Anne of Denmark (1574–1619) was the wife of James VI and I, and queen consort of Scotland from 1589, and queen consort of England and Ireland from the union of the Scottish and English crowns in 1603 until her death on 2 March 1619 at Hampton Court. She was buried at Westminster Abbey on 13 May.