Haitian Vodou in the context of Spiritual possession


Haitian Vodou in the context of Spiritual possession

⭐ Core Definition: Haitian Vodou

Haitian Vodou (/ˈvd/) is an African diasporic religion that developed in Haiti between the 16th and 19th centuries. It arose through a process of syncretism between several traditional religions of West and Central Africa and Catholicism. There is no central authority in control of the religion and much diversity exists among practitioners, who are known as Vodouists, Vodouisants, or Serviteurs.

Vodou teaches the existence of a transcendent creator divinity, Bondye, under whom are spirits known as lwa. Typically deriving their names and attributes from traditional West and Central African deities, they are equated with Catholic saints. The lwa divide into different groups, the nanchon ("nations"), most notably the Rada and the Petwo, about whom various myths and stories are told. This theology has been labelled both monotheistic and polytheistic. An initiatory tradition, Vodouists commonly venerate the lwa at an ounfò (temple), run by an oungan (priest) or manbo (priestess). Alternatively, Vodou is also practised within family groups or in secret societies like the Bizango. A central ritual involves practitioners drumming, singing, and dancing to encourage a lwa to possess one of their members and thus communicate with them. Offerings to the lwa, and to spirits of the dead, include fruit, liquor, and sacrificed animals. Several forms of divination are utilized to decipher messages from the lwa. Healing rituals and the preparation of herbal remedies and talismans also play a prominent role.

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Haitian Vodou in the context of Spirit possession

Spirit possession is an altered state of consciousness and associated behaviors purportedly caused by the control of a human body and its functions by spirits, ghosts, demons, angels, or gods. The concept of spirit possession exists in many cultures and religions, including Buddhism, Christianity, Dominican Vudú, Haitian Vodou, Hinduism, Islam, Judaism, Wicca, and Southeast Asian, African, and Native American traditions. Depending on the cultural context in which it is found, possession may be thought of as voluntary or involuntary and may be considered to have beneficial or detrimental effects on the host. The experience of spirit possession sometimes serves as evidence in support of belief in the existence of spirits, deities or demons. In a 1969 study funded by the National Institute of Mental Health, spirit-possession beliefs were found to exist in 74% of a sample of 488 societies in all parts of the world, with the highest numbers of believing societies in Pacific cultures and the lowest incidence among Native Americans of both North and South America. As Pentecostal and Charismatic Christian churches move into both African and Oceanic areas, a merger of belief can take place, with demons becoming representative of the "old" indigenous religions, which Christian ministers attempt to exorcise.

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Haitian Vodou in the context of Zombie

A zombie (Haitian French: zombi; Haitian Creole: zonbi; Kikongo: zumbi) is a mythological undead corporeal revenant created through the reanimation of a corpse. In modern popular culture, zombies appear in horror genre works. The term comes from Haitian folklore, in which a zombie is a dead body reanimated through various methods, most commonly magical practices in religions like Vodou. Modern media depictions of the reanimation of the dead often do not involve magic but rather science fictional methods such as fungi, radiation, gases, diseases, plants, bacteria, viruses, etc.

The English word zombie was first recorded in the 18th century; dictionaries trace its origins to Bantu languages, such as Kimbundu nzumbi 'ghost, spirit'. One of the first books to expose Western culture to the concept of the voodoo zombie was W. B. Seabrook's The Magic Island (1929), the account of a narrator who encounters voodoo cults in Haiti and their resurrected thralls.

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Haitian Vodou in the context of Saint-Domingue

Saint-Domingue (French: [sɛ̃ dɔmɛ̃ɡ] ) was a French colony in the western portion of the Caribbean island of Hispaniola, in the area of modern-day Haiti, from 1659 to 1803. The name derives from the Spanish main city on the island, Santo Domingo, which came to refer specifically to the Spanish-held Captaincy General of Santo Domingo, now the Dominican Republic. The borders between the two were fluid and changed over time until they were finally solidified in the Dominican War of Independence in 1844.

The French had established themselves on the western portion of the islands of Hispaniola and Tortuga thanks to the Devastations of Osorio. In the Treaty of Ryswick of 1697, Spain formally recognized French control of Tortuga Island and the western third of the island of Hispaniola. In 1791, slaves and some Creoles took part in a Vodou ceremony at Bois Caïman and planned the Haitian Revolution. The slave rebellion later allied with Republican French forces following the abolition of slavery in the colony in 1793, although this alienated the island's dominant slave-owning class. France controlled the entirety of Hispaniola from 1795 to 1802, when a renewed rebellion began. The last French troops withdrew from the western portion of the island in late 1803, and the colony later declared its independence as Haiti, the Taino name for the island, the following year.

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Haitian Vodou in the context of Jean-Bertrand Aristide

Jean-Bertrand Aristide (French pronunciation: [ʒɑ̃ bɛʁtʁɑ̃ aʁistid]; born 15 July 1953) is a Haitian former Salesian priest and politician who became Haiti's first democratically elected president in 1991 before being deposed in a coup d'état. As a priest, he taught liberation theology and, as president, he attempted to normalize Afro-Creole culture, including Vodou religion, in Haiti.

Aristide was appointed to a parish in Port-au-Prince in 1982 after completing his studies to become a priest. He became a focal point for the pro-democracy movement, first under Jean-Claude "Baby Doc" Duvalier and then under the military transition regime which followed. He won the 1990–91 Haitian presidential election with 67% of the vote but was ousted just months later in the September 1991 military coup. The coup regime collapsed in 1994 under U.S. pressure and threat of force (Operation Uphold Democracy), and Aristide was president again from 1994 to 1996 and from 2001 to 2004.

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Haitian Vodou in the context of Faustin Soulouque

Faustin-Élie Soulouque (French pronunciation: [fostɛ̃ eli suluk]; 15 August 1782 – 3 August 1867) was a Haitian politician and military officer who served as President of Haiti from 1847 to 1849 and Emperor of Haiti from 1849 to 1859.

Soulouque was a general in the Haitian Army when he was appointed President of Haiti. He acquired autocratic powers, purged the army of the ruling elite, installed black loyalists in administrative positions and the nobility, and created a secret police and private army. Soulouque was an enthusiastic vodouisant, maintaining a staff of bokors and manbos, and gave the stigmatized vodou religion semi-official status which was openly practiced in Port-au-Prince. Soulouque declared the Second Empire of Haiti in 1849 after being proclaimed Emperor under the name Faustin I, and formally crowned in 1852. Several unsuccessful attempts to reconquer the Dominican Republic eroded his support and he abdicated in 1859 under pressure from General Fabre Geffrard. Soulouque was temporarily exiled to Jamaica before returning to Haiti where he died in 1867.

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Haitian Vodou in the context of Folk Catholicism

Folk Catholicism can be broadly described as various ethnic expressions and practices of Catholicism intermingled with aspects of folk religion. Practices have varied from place to place and may at times contradict the official doctrines and practices of the Catholic Church.

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Haitian Vodou in the context of Zora Neale Hurston

Zora Neale Hurston (January 7, 1891 – January 28, 1960) was an American writer, anthropologist, folklorist, and documentary filmmaker. She portrayed racial struggles in the early-20th-century American South and published research on Hoodoo and Caribbean Vodou. The most popular of her four novels is Their Eyes Were Watching God, published in 1937. She also wrote more than 50 short stories, plays, an autobiography, ethnographies, and many essays. Some of her work, namely Tell My Horse (1937), explored ethnomusicological methods of study long before there were formal boundaries for the discipline, especially not boundaries that included the respectful study of communities of color. Hurston's unique background and exceptional approach to anthropology laid key foundations for the growth of ethnography, literature, and Africana Studies.

Hurston was born in Notasulga, Alabama, and moved with her family to Eatonville, Florida, in 1894. She later used Eatonville as the setting for many of her stories.In her early career, Hurston conducted anthropological and ethnographic research as a scholar at Barnard College and Columbia University. She had an interest in African-American and Caribbean folklore, and how these contributed to the community's identity.

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