Hair (musical) in the context of "Musical theater"

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⭐ Core Definition: Hair (musical)

Hair: The American Tribal Love-Rock Musical is a rock musical with a book and lyrics by Gerome Ragni and James Rado and music by Galt MacDermot. The work reflects the creators' observations of the hippie counterculture and sexual revolution of the late 1960s, and several of its songs became anthems of the anti-Vietnam War movement. The musical's profanity, its depiction of the use of illegal drugs, its treatment of sexuality, its irreverence for the American flag, and its nude scene caused controversy. The work broke new ground in musical theatre by defining the genre of "rock musical", using a racially integrated cast, and inviting the audience onstage for a "Be-In" finale.

Hair tells the story of the "tribe", a group of politically active, long-haired hippies of the "Age of Aquarius" living a bohemian life in New York City and fighting against conscription into the Vietnam War. Claude, his friend Berger, their roommate Sheila and their friends struggle to balance their young lives, loves and the sexual revolution with their rebellion against the war and their conservative parents and society. Ultimately, Claude must decide whether to resist the draft, as his friends have done, or serve in Vietnam, compromising his pacifist principles and risking his life.

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Hair (musical) in the context of Musical theatre

Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.

Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the light opera works of Jacques Offenbach in France, Gilbert and Sullivan in Britain and the works of Harrigan and Hart in America. These were followed by Edwardian musical comedies, which emerged in Britain, and the musical theatre works of American creators like George M. Cohan at the turn of the 20th century. The Princess Theatre musicals (1915–1918) were artistic steps forward beyond the revues and other frothy entertainments of the early 20th century and led to such groundbreaking works as Show Boat (1927), Of Thee I Sing (1931) and Oklahoma! (1943). Some of the best-known musicals through the decades that followed includeMy Fair Lady (1956), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1985), The Phantom of the Opera (1986), Rent (1996), Wicked (2003) and Hamilton (2015).

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Hair (musical) in the context of Rock musical

A rock musical is a musical theatre work with rock music. The genre of rock musical may overlap somewhat with album musicals, concept albums and song cycles, as they sometimes tell a story through the rock music, and some album musicals and concept albums become rock musicals. Notable examples of rock musicals include Next to Normal, Spring Awakening, Rent, Grease, and Hair. The Who's Tommy and other rock operas are sometimes presented on stage as a musical.

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Hair (musical) in the context of Gerome Ragni

Gerome Ragni (born Jerome Bernard Ragni; September 11, 1935 – July 10, 1991) was an American actor, singer, and songwriter, best known as one of the stars and co-writers of the 1967 musical Hair. On June 18, 2009, he was inducted into the Songwriters Hall of Fame.

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Hair (musical) in the context of James Rado

James Alexander Radomski (January 23, 1932 – June 21, 2022), known professionally as James Rado, was an American actor, playwright, director, and composer, best known as the co-author, along with Gerome Ragni, of the 1967 musical Hair. He and Ragni won for Best Musical Theater Album at the 11th Annual Grammy Awards and were nominated for the 1969 Tony Award for Best Musical.

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Hair (musical) in the context of Galt MacDermot

Arthur Terence Galt MacDermot (December 18, 1928 – December 17, 2018) was a Canadian-American composer, pianist and writer of musical theater. He won a Grammy Award for the song "African Waltz" in 1961. His most successful musicals were Hair (1967; its Broadway cast album also won a Grammy) and Two Gentlemen of Verona (1971). MacDermot also composed film soundtracks, jazz and funk albums, and Western classical music. His music has been sampled in numerous hip-hop songs and albums. He is best known for his work on Hair, which produced three number-one singles in 1969: "Aquarius/Let the Sunshine In", "Good Morning Starshine", and the title song "Hair".

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Hair (musical) in the context of The Public Theater

The Public Theater is an arts organization based in Manhattan, New York City. Founded by Joseph Papp, the Public Theater was originally the Shakespeare Workshop in 1954; its mission was to support emerging playwrights and performers. Its first production was the musical Hair in 1967. Since Papp, the theater has been led by JoAnne Akalaitis (1991–93), and George C. Wolfe (1993–2004), and is currently under Artistic Director Oskar Eustis and Executive Director Patrick Willingham.

The Public's headquarters is located at 425 Lafayette Street in the former Astor Library building in Lower Manhattan. The building contains five theater spaces, and Joe's Pub, a cabaret-style venue for new work, musical performances, spoken-word artists, and soloists. Additionally, the Public operates the Delacorte Theater in Central Park, where it has staged "Shakespeare in the Park" performances free of charge since 1954.

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