HWV in the context of "Structure of Handel's Messiah"

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⭐ Core Definition: HWV

The Händel-Werke-Verzeichnis (abbreviated as HWV) is the Catalogue of Handel's Works. It was published in three volumes (in German) by Bernd Baselt between 1978 and 1986, and lists every piece of music known to have been written by George Frideric Handel. The catalogue also includes the first few bars of each piece and large amounts of factual information including manuscript sources, early prints, photographs, spurious works, etc. The catalogue does not include the full scores of Handel's works (for the full scores, see Händel-Gesellschaft and Hallische Händel-Ausgabe).

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👉 HWV in the context of Structure of Handel's Messiah

Messiah (HWV 56), the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts, listed here in tables for their musical setting and biblical sources.

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HWV in the context of Messiah (Handel)

Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.

Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus as the Messiah called Christ. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only "scene" taken from the Gospels. In Part II, Handel concentrates on the Passion of Jesus and ends with the Hallelujah chorus. In Part III, he covers Paul's teachings on the resurrection of the dead and Christ's glorification in heaven.

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HWV in the context of Tamerlano

Tamerlano (Tamerlane, HWV 18) is an opera seria in three acts by George Frideric Handel. The Italian libretto was by Nicola Francesco Haym, adapted from Agostino Piovene's Tamerlano together with another libretto entitled Bajazet after Nicolas Pradon's Tamerlan, ou La Mort de Bajazet. The opera was staged by the Royal Academy of Music in the King's Theatre at the Haymarket, London.

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