Guys and Dolls in the context of "Jean Simmons"

A scenery wagon, also known as a stage wagon, is a mobile platform that is used to support and transport movable, three-dimensional theatrical scenery on a theater stage. In most cases, the scenery is constructed on top of the wagon such that the wagon, and the scenery it supports, forms a single, integrated structure. Heavy duty casters are mounted to the underside of the platform so that the entire assembly can be quickly moved onstage or offstage, so as to facilitate rapid scenery changes during live productions. Scenery wagons are built in a wide range of sizes, ranging from less than one square foot up to the size of the playing area of the stage.

Scenery wagons comprise one of the four methods used to move scenery during the course of a theatre performance, the other three being "flying" (suspending) scenery from a fly system, elevating or lowering scenery on a stage lift, or "running" (manually carrying) the scenery.

Sir Richard Charles Hastings Eyre CH CBE (born 28 March 1943) is an English film, theatre, television and opera director. Eyre has received numerous accolades including three Laurence Olivier Awards as well as nominations for six BAFTA Awards and two Tony Awards. He was appointed a Commander of the Order of the British Empire (CBE) in the 1992 News Year Honours, and knighted in the 1997 New Year Honours.

Eyre started his career as the associate director at the Royal Lyceum Theatre, Edinburgh from 1967 to 1972 before becoming the artistic director of the Royal National Theatre from 1987 to 1999. He has directed numerous West End productions earning three Laurence Olivier Awards for Best Director for Guys and Dolls (1982), King Lear (1998), and Hedda Gabler (2006). He was also Olivier-nominated for Racing Demon (1989), Skylight (1995), John Gabriel Borkman (1997), Vincent in Brixton (2003), Mary Poppins (2005), and Ghosts (2014). For his work on Broadway he received Tony Award for Best Director nominations for The Judas Kiss (1998) and The Crucible (2002).