Gundestrup cauldron in the context of "Inlay"

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⭐ Core Definition: Gundestrup cauldron

The Gundestrup cauldron is a richly decorated silver vessel, thought to date from between 200 BC and 300 AD, or more narrowly between 150 BC and 1 BC. This places it within the late La Tène period or early Roman Iron Age. The cauldron is the largest known example of European Iron Age silver work (diameter: 69 cm (27 in); height: 42 cm (17 in)). It was found dismantled, with the other pieces stacked inside the base, in 1891, in a peat bog near the hamlet of Gundestrup in the Aars parish of Himmerland, Denmark (56°49′N 9°33′E / 56.817°N 9.550°E / 56.817; 9.550). It is now usually on display in the National Museum of Denmark in Copenhagen, with replicas at other museums; it was in the UK on a travelling exhibition called The Celts during 2015–2016.

The cauldron is not complete, and now consists of a rounded cup-shaped bottom making up the lower part of the cauldron, usually called the base plate, above which are five interior plates and seven exterior ones; a missing eighth exterior plate would be needed to encircle the cauldron, and only two sections of a rounded rim at the top of the cauldron survive. The base plate is mostly smooth and undecorated inside and out, apart from a decorated round medallion in the centre of the interior. All the other plates are heavily decorated with repoussé work, hammered from beneath to push out the silver. Other techniques were used to add detail, and there is extensive gilding and some use of inlaid pieces of glass for the eyes of figures. Other pieces of fittings were found. Altogether it weighs just under 9 kilograms (20 lb).

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Gundestrup cauldron in the context of Carnyx

The ancient carnyx was a wind instrument used by the Celts during the Iron Age, between c. 200 BCE and c. 200 CE. It was a type of trumpet made of bronze with an elongated S shape, held so that the long straight central portion was vertical and the short mouthpiece end section and the much wider bell were horizontal in opposed directions. The bell was styled in the shape of the head of an open-mouthed boar or other animal.

It was used in warfare, probably to incite troops to battle and intimidate opponents, as Polybius recounts. The instrument's significant height allowed it to be heard over the heads of the participants in battles or ceremonies.

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Gundestrup cauldron in the context of Toutatis

Teutates (spelled variously Toutatis, Totatis, Totates) is a Celtic god attested in literary and epigraphic sources. His name, which is derived from a proto-Celtic word meaning "tribe", suggests he was a tribal deity.

The Roman poet Lucan's epic Pharsalia mentions Teutates, Esus, and Taranis as gods to whom the Gauls sacrificed humans. This rare mention of Celtic gods under their native names in a Latin text has been the subject of much comment. Almost as often commented on are the scholia to Lucan's poem (early medieval, but relying on earlier sources) which tell us the nature of these sacrifices: in particular, that victims of Teutates were immersed headfirst into a small barrel and drowned. This sacrifice has been compared with a poorly understood ritual depicted on the Gundestrup cauldron, some motifs in Irish mythology, and the death of the bog body known as the Lindow Man.

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Gundestrup cauldron in the context of Cernunnos

Cernunnos is a Celtic god whose name is only clearly attested once, on the 1st-century CE Pillar of the Boatmen from Paris, where it is associated with an image of an aged, antlered figure with torcs around his horns.

Through the Pillar of the Boatmen, the name "Cernunnos" has been used to identify the members of an iconographic cluster, consisting of depictions of an antlered god (often aged and with crossed legs) associated with torcs, ram-horned (or ram-headed) serpents, symbols of fertility, and wild beasts (especially deer). The use of the name this way is common, though not uncontroversial. As many as 25 depictions of the Cernunnos-type have been identified. Though this iconographic group is best attested in north-eastern Gaul, depictions of the god have been identified as far off as Italy (Val Camonica) and Denmark (Gundestrup).

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