Guillaume Rouillé in the context of "Humanism"

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⭐ Core Definition: Guillaume Rouillé

Guillaume Rouillé (French pronunciation: [ɡijom ʁuje]; Latin: Gulielmus Rovillius; c. 1504 – 1589), also called Roville or Rovillius, was one of the most prominent humanist bookseller-printers in 16th-century Lyon. He invented the pocket book format called the sextodecimo, printed with sixteen leaves to the folio sheet, half the size of the octavo format, and published many works of history and poetry as well as medicine, in addition to his useful compilations and handbooks.

Rouillé was born in Tours. Though he was a Frenchman, he served his apprenticeship in the Venetian printing-house of Gabriele Giolito de' Ferrari, and retained his connections with Venice as a source of texts after his arrival in Lyon around 1543.

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Guillaume Rouillé in the context of Thirty Tyrants

The Thirty Tyrants (Ancient Greek: οἱ τριάκοντα τύραννοι, hoi triákonta týrannoi) were an oligarchy that briefly ruled Athens from 404 BCE to 403 BCE. Installed into power by the Spartans after the Athenian surrender in the Peloponnesian War, the Thirty became known for their tyrannical rule, first being called "The Thirty Tyrants" by Polycrates. Although they maintained power for only eight months, their reign resulted in the killing of 5% of the Athenian population, the confiscation of citizens' property, and the exile of other democratic supporters.

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Guillaume Rouillé in the context of Promptuarium Iconum Insigniorum

Prima [et Secunda] pars Promptuarii iconum insigniorum à seculo hominum, subiectis eorum vitis, per compendium ex probatissimis autoribus desumptis. (transl. 'The First [and Second] Part of the Storehouse of Images of the More Notable Men from the Beginning of Time, with Their Biographies Subjoined, Taken in Abbreviated Form from the Most Approved Authors.') is a compilation of woodcut portraits published in 1553 by Guillaume Rouillé, a French bookseller-publisher active in the early modern book trade of Lyon. Originally issued in Latin, French, and Italian editions, the book presents the portraits in a medallion format, largely arranged in a supposed chronological order. The subjects range from figures of the Old Testament and Greco-Roman mythology to contemporary individuals of the mid-16th century. Many of the portraits are imaginative rather than historically grounded, shaped by Rouillé's interest in physiognomy—the study that sought to relate facial features to character and personality—and by the engraver's artistic license. Although the engraver is unnamed in the text, the 19th-century bibliographer Henri-Louis Baudrier attributed the work to Georges Reverdy [fr].

The book is divided into two sections: Prima pars ('First Part'), covering figures predating Christ, and Pars secunda ('Second Part'), documenting individuals from the Christian era onward. Typically bound as a single volume, these sections maintain separate pagination systems. The earliest editions contained 828 portraits each, with accompanying biographical summaries; the authorship of these biographies remains debated. The book's commercial success led to subsequent editions in multiple languages, which included a Spanish edition in 1561. The 1577 French edition expanded the collection with approximately 100 additional engravings and placed greater emphasis on Renaissance humanist scholars. The portraits mimic the style of ancient coinage but lack the numismatic precision required for scholarly reference. Rouillé simplified complex histories through standardized imagery and concise narratives so that the past would be more accessible to a general readership. His compilation influenced how individuals were depicted in European iconographic collections from the late 16th century into the 17th.

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Guillaume Rouillé in the context of Orithyia (Amazon)

In Greek and Roman legendary history, Orithyia was the daughter of Marpesia, and became the queen of the Amazons. She was a key figures in the story of Hercules' quest for the girdle of the Amazon queen, his ninth labor.

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Guillaume Rouillé in the context of Phoenix (son of Agenor)

In Greek mythology, Phoenix or Phoinix (Ancient Greek: Φοῖνιξ Phoinix, gen.: Φοίνικος means "sun-red") was the eponym of Phoenicia who together with his brothers were tasked to find their abducted sister Europa.

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Guillaume Rouillé in the context of Pope Marcellus II

Pope Marcellus II (Italian: Marcello II; 6 May 1501 – 1 May 1555), born Marcello Cervini degli Spannocchi, was head of the Catholic Church and ruler of the Papal States from 10 April 1555 to his death, 22 days later.

Marcellus succeeded Pope Julius III. Before his accession as pope he had been Cardinal-Priest of Santa Croce in Gerusalemme. He is the most recent pope to choose to retain his birth name as his regnal name upon his accession, and the most recent pope to date with the regnal name "Marcellus".

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Guillaume Rouillé in the context of Hipponax

Hipponax (/ˈhɪpənæks/; Ancient Greek: Ἱππῶναξ; gen. Ἱππώνακτος; fl. late 6th century BCE), of Ephesus and later Clazomenae, was an Ancient Greek iambic poet who composed verses depicting the vulgar side of life in Ionian society. He was celebrated by ancient authors for his malicious wit, especially for his attacks on some contemporary sculptors, Bupalus and Athenis. Hipponax was reputed to be physically deformed, which might have been inspired by the nature of his poetry.

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Guillaume Rouillé in the context of Latinus

Latinus (Latin: Latinus; Ancient Greek: Λατῖνος, Latînos, or Λατεῖνος, Lateînos) was a figure both in Greek and Roman mythology. He is often associated with the heroes of the Trojan War, namely Odysseus and Aeneas. Although his appearance in the Aeneid is irreconcilable with his appearance in Greek mythology, the two pictures are so different that he cannot be seen as one character.

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Guillaume Rouillé in the context of Rhodope (mythology)

In Greek mythology, Rhodope (Ancient Greek: Ῥοδόπη) may refer to several different characters:

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Guillaume Rouillé in the context of Ninus

Ninus (Greek: Νίνος), according to Greek historians writing in the Hellenistic period and later, was the founder of Nineveh (also called Νίνου πόλις "city of Ninus" in Greek), ancient capital of Assyria. What figure or figures he may have been based on is uncertain; an identification with Shamshi-Adad I, Shamshi-Adad V, and/or a conflation of the two has been suggested.

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