Belle Époque in the context of "Clash of Civilizations"

⭐ In the context of the *Clash of Civilizations* thesis, the earlier expression of this idea as a 'clash of cultures' first emerged during which historical period?

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⭐ Core Definition: Belle Époque

The Belle Époque (French pronunciation: [bɛlepɔk]) or La Belle Époque (French for 'The Beautiful Era') was a period of French and European history that began after the end of the Franco-Prussian War in 1871 and continued until the outbreak of World War I in 1914. Occurring during the era of the French Third Republic, it was a period characterised by optimism, enlightenment, regional peace, economic prosperity, nationalism, colonial expansion, and technological, scientific and cultural innovations. In this era of France's cultural and artistic climate (particularly in Paris of that time), the arts markedly flourished, and numerous masterpieces of literature, music, theatre and visual art gained extensive recognition.

The Belle Époque was so named in retrospect, when it began to be considered a continental European "Golden Age" in contrast to the violence of the Napoleonic Wars and World War I. The Belle Époque was a period in which, according to historian R. R. Palmer, "European civilisation achieved its greatest power in global politics, and also exerted its maximum influence upon peoples outside Europe."

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👉 Belle Époque in the context of Clash of Civilizations

The Clash of Civilizations is a thesis that people's cultural and religious identities will be the primary source of conflict in the post–Cold War world. The American political scientist Samuel P. Huntington argued that future wars would be fought not between countries, but between cultures. It was proposed in a 1992 lecture at the American Enterprise Institute, which was then developed in a 1993 Foreign Affairs article titled The Clash of Civilizations?, in response to his former student Francis Fukuyama's 1992 book The End of History and the Last Man. Huntington later expanded his thesis in a 1996 book The Clash of Civilizations and the Remaking of World Order.

The phrase itself was earlier used by Albert Camus in 1946, by Girilal Jain in his analysis of the Ayodhya dispute in 1988, by Bernard Lewis in an article in the September 1990 issue of The Atlantic Monthly titled The Roots of Muslim Rage and by Mahdi El Mandjra in his book La première guerre civilisationnelle published in 1992. Even earlier, the phrase appears in a 1926 book regarding the Middle East by Basil Mathews: Young Islam on Trek: A Study in the Clash of Civilizations. This expression derives from clash of cultures, already used during the colonial period and the Belle Époque.

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Belle Époque in the context of Art Nouveau

Art Nouveau (/ˌɑːr(t) nˈv/ AR(T) noo-VOH; French: [aʁ nuvo] ; lit.'New Art'), Jugendstil in German, is an international style of art, architecture, and applied art, especially the decorative arts. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academicism, eclecticism and historicism of 19th century architecture and decorative art.

One major objective of Art Nouveau was to break down the traditional distinction between fine arts (especially painting and sculpture) and applied arts. It was most widely used in interior design, graphic arts, furniture, glass art, textiles, ceramics, jewellery and metal work. The style responded to leading 19th century theoreticians, such as French architect Eugène-Emmanuel Viollet-le-Duc (1814–1879) and British art critic John Ruskin (1819–1900). In Britain, it was influenced by William Morris and the Arts and Crafts movement. German architects and designers sought a spiritually uplifting Gesamtkunstwerk ('total work of art') that would unify the architecture, furnishings, and art in the interior in a common style, to uplift and inspire the residents.

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Belle Époque in the context of Haussmann's renovation of Paris

Haussmann's renovation of Paris (known in French as the travaux haussmanniens, [tʁavo osmanjɛ̃], lit. 'Haussmannian works') was a vast public works programme commissioned by French Emperor Napoleon III and directed by his prefect of Seine, Georges-Eugène Haussmann, between 1853 and 1870.

It included the demolition of medieval neighbourhoods that were deemed overcrowded and unhealthy by officials at the time, the building of wide avenues, new parks and squares, the annexation of the suburbs surrounding Paris, and the construction of new sewers, fountains and aqueducts. Haussmann's work was met with fierce opposition, and he was ultimately dismissed by Napoleon III in 1870. The renovation allowed Paris to shine during the Belle Époque (1871–1914); work on his projects continued until 1927. The street plan and distinctive appearance of the centre of Paris today are largely the result of Haussmann's renovation.

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Belle Époque in the context of James Tissot

Jacques Joseph Tissot (French: [ʒɑk ʒozɛf tiso]; 15 October 1836 – 8 August 1902), better known as James Tissot (UK: /ˈtɪs/ TISS-oh, US: /tˈs/ tee-SOH), was a French painter, illustrator, and caricaturist. He was born to a drapery merchant and a milliner and decided to pursue a career in art at a young age, coming to incorporate elements of realism, early Impressionism, and academic art into his work. He is best known for a variety of genre paintings of contemporary European high society produced during the peak of his career, which focused on the people and women's fashion of the Belle Époque and Victorian England, but he would also explore many medieval, biblical, and Japoniste subjects throughout his life. His career included work as a caricaturist for Vanity Fair under the pseudonym of Coïdé.

Tissot served in the Franco-Prussian War on the side of France and later the Paris Commune. In 1871 he moved to London, where he found further success as an artist and began a relationship with Irishwoman Kathleen Newton, who lived with him as a close companion and muse until her death in 1882. Tissot maintained close relations with the Impressionist movement for much of his life, including James Abbott Whistler and friend and protégé Edgar Degas. He was awarded the French Legion of Honor in 1894.

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Belle Époque in the context of Rococo architecture

Rococo architecture, prevalent during the reign of Louis XV in France from 1715 to 1774, is an exceptionally ornamental and exuberant architectural style characterized by the use of rocaille motifs such as shells, curves, mascarons, arabesques, and other classical elements. The Rococo style abandoned the symmetry of earlier Baroque styles like façades, cornices, and pediments, and instead created a flexible and visually engaging style that maintained a level of classical regularity. Light pastel colors, including shades of blue, green, and pink, replaced the darker elements characteristic of Baroque architecture such as exposed limestone and extensive gilding.

The iconography of Rococo architecture, predominantly associated with 18-century Europe, had a considerable influence on various architectural styles globally over subsequent centuries. These styles include Dutch colonial, French colonial, Neoclassical, Greek Revival, Belle Époque, Second Empire, Victorian, Art Deco, and Art Nouveau.

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Belle Époque in the context of Montreux

Montreux (UK: /mɒ̃ˈtrɜː/, US: /mɒ̃ˈtr/; French: [mɔ̃tʁø] ; Arpitan: Montrolx) is a Swiss municipality and town on the shoreline of Lake Geneva at the foot of the Alps. It belongs to the Riviera-Pays-d'Enhaut district in the canton of Vaud, having a population of nearly 27,000 with about 85,000 in the Vevey-Montreux agglomeration as of 2019.

Located in the centre of a region named the Vaud or Swiss Riviera (French: Riviera vaudoise), Montreux has been an important tourist destination since the 19th century due to its mild climate. The region includes numerous Belle Époque palaces and hotels near the shores of Lake Geneva. Montreux railway station is a stop on the Simplon Railway and is a mountain railway hub.

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Belle Époque in the context of The Victorian Era

In the history of the United Kingdom and the British Empire, the Victorian era was the reign of Queen Victoria, from 20 June 1837 until her death on 22 January 1901. Slightly different definitions are sometimes used. The era followed the Georgian era and preceded the Edwardian era, and its later half overlaps with the first part of the Belle Époque era of continental Europe.

Various liberalising political reforms took place in the UK, including expanding the electoral franchise. The Great Famine caused mass death in Ireland in the mid 1840s. Britain had peaceful relations with the other great powers. It participated in various military threats and conflicts mainly against minor powers. The Crimean War of the 1850s was against Russia. It was seen as a major threat to the Ottoman ally and to India. The British Empire expanded during this period and the Royal Navy was predominant power in the world.

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