Greco-Roman architecture in the context of "Classical orders"

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⭐ Core Definition: Greco-Roman architecture

Classical architecture typically refers to architecture consciously derived from the principles of Greek and Roman architecture of classical antiquity, or more specifically, from De architectura (c. 10 AD) by the Roman architect Vitruvius. Variations of classical architecture have arguably existed since the Carolingian Renaissance, and became especially prominent during the Italian Renaissance and the later period known as neoclassical architecture or Classical revival. While classical styles of architecture can vary, they generally share a common "vocabulary" of decorative and structural elements. Across much of the Western world, classical architectural styles have dominated the history of architecture from the Renaissance until World War II. Classical architecture continues to influence contemporary architects.

The term classical architecture can also refer to any architectural tradition that has evolved to a highly refined form, such as classical Chinese or Mayan architecture. It may also describe architecture that adheres to classical aesthetic philosophy. The term might be used differently from "traditional" or "vernacular architecture", it can share underlying axioms with it.

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Greco-Roman architecture in the context of Louisiana Purchase Exposition

The Louisiana Purchase Exposition, informally known as the St. Louis World's Fair, was an international exposition held in St. Louis, Missouri, United States, from April 30 to December 1, 1904. Local, state, and federal funds totaling $15 million (equivalent to $525 million in 2024) were used to finance the event. More than 60 countries and 43 of the then-45 American states maintained exhibition spaces at the fair, which was attended by nearly 19.7 million people.

Historians generally emphasize the prominence of the themes of race and imperialism, and the fair's long-lasting impact on intellectuals in the fields of history, architecture, and anthropology. From the point of view of the memory of the average person who attended the fair, it primarily promoted entertainment, consumer goods, and popular culture. The monumental Greco-Roman architecture of this and other fairs of the era did much to influence permanent new buildings and master plans of major cities.

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