John Maler Collier OBE ROI RP (/ˈkɒliər/; 27 January 1850 – 11 April 1934) was an English painter and writer. He painted in the Pre-Raphaelite style, and was one of the most prominent portrait painters of his generation. Both of his marriages were to daughters of Thomas Henry Huxley. He was educated at Eton College, and he studied painting in Paris with Jean-Paul Laurens and at the Munich Academy starting in 1875.
___Lady_Godiva_q.jpg)
>>>PUT SHARE BUTTONS HERE<<<
👉 John Collier (painter) in the context of Lady Godiva
Lady Godiva (/ɡəˈdaɪvə/; died between 1066 and 1086), in Old English Godgifu, was a late Anglo-Saxon noblewoman who is relatively well documented as the wife of Leofric, Earl of Mercia, and a patron of various churches and monasteries.
She is mainly remembered for a legend dating back to at least the 13th century, in which she rode naked – covered only by her long hair – through the streets of Coventry to gain a remission of the oppressive taxation that her husband, Leofric, imposed on his tenants. The name "Peeping Tom" for a voyeur originates from later versions of this legend, in which a man named Thomas watched her ride and was struck blind or dead.
In this Dossier
- ⭐ Core Definition: John Collier (painter)
- 👉 John Collier (painter) in the context of Lady Godiva
- John Collier (painter) in the context of Legend
- John Collier (painter) in the context of Lady Godiva (painting)
- John Collier (painter) in the context of The Laboratory
- John Collier (painter) in the context of Lilith
John Collier (painter) in the context of Legend
A legend is a genre of folklore that consists of a narrative featuring human actions, believed or perceived to have taken place in human history. Narratives in this genre may demonstrate human values, and possess certain qualities that give the tale verisimilitude. Legend, for its active and passive participants, may include miracles. Legends may be transformed over time to keep them fresh and vital.
Many legends operate within the realm of uncertainty, never being entirely believed by the participants, but also never being resolutely doubted. Legends are sometimes distinguished from myths in that they concern human beings as the main characters and do not necessarily have supernatural origins, and sometimes in that they have some sort of historical basis whereas myths generally do not. The Brothers Grimm defined legend as "folktale historically grounded". A by-product of the "concern with human beings" is the long list of legendary creatures, leaving no "resolute doubt" that legends are "historically grounded."
John Collier (painter) in the context of Lady Godiva (painting)
Lady Godiva is an 1897 oil-on-canvas painting by English artist John Collier, who worked in the style of the Pre-Raphaelite Brotherhood. The portrayal of Lady Godiva and her well-known but apocryphal ride through Coventry, England, is held in Coventry's Herbert Art Gallery and Museum.
Lady Godiva was bequeathed by social reformer Thomas Hancock Nunn. When he died in 1937, the painting was offered to the Corporation of Hampstead. He specified in his will that should his bequest be refused by Hampstead, the painting was then to be offered to Coventry. The model in the painting is Mab (Mabel) Paul, an artist model and West End theatre actress who was also painted as herself by John Collier.
John Collier (painter) in the context of The Laboratory
"The Laboratory" is a poem and dramatic monologue by Robert Browning. The poem was first published in June 1844 in Hood's Magazine and Comic Miscellany, and later Dramatic Romances and Lyrics in 1845.
This poem, set in seventeenth-century France, is the monologue of a woman speaking to an apothecary as he prepares a poison, which she intends to use to kill her rivals in love. It was inspired by the life of Marie Madeleine Marguerite d'Aubray, marquise de Brinvilliers (1630–1676), who poisoned her father and two brothers and planned to poison her husband, matching the narrator's actions in "The Laboratory".
John Collier (painter) in the context of Lilith
Lilith (/ˈlɪlɪθ/; Hebrew: לִילִית, romanized: Līlīṯ), also spelled Lilit, Lilitu, or Lilis, is a feminine figure in Mesopotamian and Jewish mythology. According to accounts in the Talmud she is a primordial she-demon. Lilith is cited as having been "banished" from the Garden of Eden for disobeying Adam.
The stem Hebrew word from which the name Lilith is taken is in the Biblical Hebrew, in the Book of Isaiah, though Lilith herself is not mentioned in any biblical text. In late antiquity in Mandaean and Jewish sources from 500 AD onward, Lilith appears in historiolas (incantations incorporating a short mythic story) in various concepts and localities that give partial descriptions of her. She is mentioned in the Babylonian Talmud (Eruvin 100b, Niddah 24b, Shabbat 151b, Bava Batra 73a), and in the Zohar § Leviticus 19a as "a hot fiery female who first cohabited with man". Many rabbinic authorities, including Maimonides and Menachem Meiri, reject the existence of Lilith.