Graphic in the context of Geometric


Graphic in the context of Geometric

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⭐ Core Definition: Graphic

Graphics (from Ancient Greek γραφικός (التصميم) 'pertaining to drawing, painting, writing, etc.') are visual images or designs on some surface, such as a wall, canvas, screen, paper, or stone, to inform, illustrate, or entertain. In contemporary usage, it includes a pictorial representation of data, as in design and manufacture, in typesetting and the graphic arts, and in educational and recreational software. Images that are generated by a computer are called computer graphics.

Examples are photographs, drawings, line art, mathematical graphs, line graphs, charts, diagrams, typography, numbers, symbols, geometric designs, maps, engineering drawings, or other images. Graphics often combine text, illustration, and color. Graphic design may consist of the deliberate selection, creation, or arrangement of typography alone, as in a brochure, flyer, poster, web site, or book without any other element. The objective can be clarity or effective communication, association with other cultural elements, or merely the creation of a distinctive style.

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Graphic in the context of Logo

A logo (abbreviation of logotype; from Ancient Greek λόγος (lógos) 'word, speech' and τύπος (túpos) 'mark, imprint') is a graphic mark, emblem, or symbol used to aid and promote public identification and recognition. It may be of an abstract or figurative design or include the text of the name that it represents, as in a wordmark.

In the days of hot metal typesetting, a logotype was one word cast as a single piece of type (e.g. "The" in ATF Garamond), as opposed to a ligature, which is two or more letters joined, but not forming a word. By extension, the term was also used for a uniquely set and arranged typeface or colophon. At the level of mass communication and in common usage, a company's logo is today often synonymous with its trademark or brand.

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Graphic in the context of Graphic communication

Graphic communication is communication using graphic and visual elements. These elements include symbols such as glyphs and icons, images such as drawings and photographs, and can include the passive contributions of substrate, colour and surroundings. It is the process of creating, producing, and distributing material incorporating words and images to convey data, concepts, and emotions.

The field of graphics communications encompasses all phases of the graphic communications processes from origination of the idea (design, layout, and typography) through reproduction, finishing and distribution of two- or three-dimensional products or electronic transmission.

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Graphic in the context of Celtic knot

Celtic knots (Irish: snaidhm Cheilteach, Welsh: cwlwm Celtaidd, Cornish: kolm Keltek, Scottish Gaelic: snaidhm Ceilteach) are a variety of knots and stylized graphical representations of knots used for decoration, used extensively in the Celtic and Northumbrian styles of Insular art. These knots are most known for their adaptation for use in the ornamentation of Christian monuments and manuscripts, such as the 8th-century St. Teilo Gospels, the Book of Kells and the Lindisfarne Gospels. Most are endless knots, and many are varieties of basket weave knots.

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Graphic in the context of Poster

A poster is a large sheet that is placed either on a public space to promote something or on a wall as decoration.they are often used to advertise Typically, posters include both textual and graphic elements, although a poster may be either wholly graphical or wholly text. Posters are designed to be both eye-catching and informative. Posters may be used for many purposes. They are a frequent tool of advertisers (particularly of events, musicians, and films), propagandists, protestors, and other groups trying to communicate a message. Posters are also used for reproductions of artwork, particularly famous works, and are generally low-cost compared to the original artwork. The modern poster, as we know it, however, dates back to the 1840s and 1850s when the printing industry perfected colour lithography and made mass production possible.

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Graphic in the context of Unicode symbols

In computing, a Unicode symbol is a Unicode character which is not part of a script used to write a natural language, but is nonetheless available for use as part of a text.

Many of the symbols are drawn from existing character sets or ISO/IEC or other national and international standards. The Unicode Standard states that "The universe of symbols is rich and open-ended," but that in order to be considered, a symbol must have a "demonstrated need or strong desire to exchange in plain text." This makes the issue of what symbols to encode and how symbols should be encoded more complicated than the issues surrounding writing systems. Unicode focuses on symbols that make sense in a one-dimensional plain-text context. For example, the typical two-dimensional arrangement of electronic diagram symbols justifies their exclusion. (Legacy characters such as box-drawing characters, Symbols for Legacy Computing and the Symbols for Legacy Computing Supplement, are an exception, since these symbols largely exist for backward compatibility with past encoding systems; a number of electronic diagram symbols are indeed encoded in Unicode's Miscellaneous Technical block.) For adequate treatment in plain text, symbols must also be displayable in a monochromatic setting. Even with these limitations – monochromatic, one-dimensional and standards-based – the domain of potential Unicode symbols is extensive. (However, emojis – ideograms, graphic symbols – that were admitted into Unicode, allow colors although the colors are not standardized. Color-dependent emojis are traditionally rendered using hatching in monochromatic settings.)

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Graphic in the context of Poster art

A poster is a large sheet, usually made of some type of paper or plastic, that is placed either on a public space to promote something or on a wall as decoration. they are often used to advertise Typically, posters include both textual and graphic elements, although a poster may be either wholly graphical or wholly text. Posters are designed to be both eye-catching and informative. Posters may be used for many purposes. They are a frequent tool of advertisers (particularly of events, musicians, and films), propagandists, protestors, and other groups trying to communicate a message. Posters are also used for reproductions of artwork, particularly famous works, and are generally low-cost compared to the original artwork. The modern poster, as we know it, however, dates back to the 1840s and 1850s when the printing industry perfected colour lithography and made mass production possible.

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