Graffiti in the context of "Nabataean script"

The Camuni or Camunni were an ancient population located in Val Camonica during the Iron Age (1st millennium BC); the Latin name Camunni was attributed to them by the authors of the 1st century. They are also called ancient Camuni, to distinguish them from the current inhabitants of the valley (the Camuni or Camunians). The Camunni were among the greatest producers of rock art in Europe; their name is linked to the famous rock engravings of Valcamonica.

A people of obscure origin, they lived in a region, the Val Camonica, that had already been the site of a cultural tradition dating back to the early Neolithic. The Camunni are mentioned by classical historiographical sources from the 1st century BC, corresponding to the Iron Age in Val Camonica (from the 12th century BC until about Romanization). In ancient Greek, Strabo referred to them as Καμοῦνοι (Kamounoi), while Cassius Dio called them Καμούννιοι (Kamounnioi).

Pompeii (/pɒmˈpeɪ(i)/ pom-PAY(-ee); Latin: [pɔmˈpei̯.iː]) was a city in what is now the municipality of Pompei, near Naples, in the Campania region of Italy. Along with Herculaneum, Stabiae, and many surrounding villas, the city was buried under 4 to 6 m (13 to 20 ft) of volcanic ash and pumice in the eruption of Mount Vesuvius in 79 AD.

Largely preserved under the ash, Pompeii offers a unique snapshot of Roman life, frozen at the moment it was buried, as well as insight into ancient urban planning. It was a wealthy town of 10,000 to 20,000 residents at the time it was destroyed. It hosted many fine public buildings and luxurious private houses with lavish decorations, furnishings and artworks, which were the main attractions for early excavators; subsequent excavations have found hundreds of private homes and businesses reflecting various architectural styles and social classes, as well as numerous public buildings. Organic remains, including wooden objects and human bodies, were interred in the ash; their eventual decay allowed archaeologists to create moulds of figures in their final moments of life. The numerous graffiti carved on outside walls and inside rooms provide a wealth of examples of the largely lost Vulgar Latin spoken colloquially at the time, contrasting with the formal language of classical writers.

A mural is any piece of graphic artwork that is painted or applied directly to a wall, ceiling or other permanent substrate. Mural techniques include fresco, mosaic, graffiti and marouflage.

Lydian is an extinct Indo-European Anatolian language spoken in the region of Lydia, in western Anatolia (now in Turkey). The language is attested in graffiti and in coin legends from the late 8th century or the early 7th century to the 3rd century BCE, but well-preserved inscriptions of significant length are so far limited to the 5th century and the 4th century BCE, during the period of Persian domination. Thus, Lydian texts are effectively contemporaneous with those in Lycian.

Strabo mentions that around his time (1st century BCE), the Lydian language was no longer spoken in Lydia proper but was still being spoken among the multicultural population of Kibyra (now Gölhisar) in southwestern Anatolia, by the descendants of the Lydian colonists, who had founded the city.

Public art is art in any media whose form, function, and meaning are created for the general public through a public process. It is a specific art genre with its own professional and critical discourse. Public art is visually and physically accessible to the public; it is installed in public spaces in both outdoor and indoor settings. Public art seeks to embody public or universal concepts rather than commercial, partisan, or personal concepts or interests. Notably, public art is also the direct or indirect product of a public process of creation, procurement and maintenance.

Independent art created or staged in or near the public realm (for example, graffiti, street art) lacks official or tangible public sanction has not been recognized as part of the public art genre, however this attitude is changing due to the efforts of several street artists. Such unofficial artwork may exist on private or public property immediately adjacent to the public realm, or in natural settings but, however ubiquitous, it sometimes falls outside the definition of public art by its absence of public process or public sanction as "bona fide" public art.

Soda blasting is a mild form of abrasive blasting in which sodium bicarbonate particles are blasted against a surface using compressed air. It has a much milder abrasive effect than sandblasting. An early use was in the conservation-restoration of the Statue of Liberty in the 1980s.

Soda blasting is a non-destructive method for many applications in cleaning, paint and varnish stripping, automotive restoration, industrial equipment maintenance, rust removal, graffiti removal, molecular steel passivation against rust, oil removal by saponification and translocation, masonry cleaning and restoration, soot remediation, boat hull cleaning and for food processing facilities and equipment and tooth cleaning at the dental laboratory.

Taksim (Turkish: [takˈsim], lit. 'division') is a Turkish nationalist and secessionist movement of Turkish Cypriots advocating for the independence and recognition of the Turkish Republic of Northern Cyprus under a two-state solution. It was the primary ideology of supporters of the 1974 invasion, with the concept being articulated as early as 1957 by Vice President Fazıl Küçük.

Turkish Cypriot nationalism developed mainly in response to Greek nationalism and the desire for enosis, union of the whole island with Greece. Initially, Turkish Cypriots favoured the continuation of British rule. However, they were alarmed by the Greek Cypriot calls for enosis, as they saw that the union of Crete with Greece had led to the exodus of Cretan Turks, which was a precedent to be avoided, and they took a pro-partition stance in response to the militant activity of EOKA. Turkish Cypriots also viewed themselves as a distinct ethnic group of the island and believed in their having a separate right to self-determination from Greek Cypriots. Meanwhile, in the 1950s, Turkish leader Adnan Menderes considered Cyprus an "extension of Anatolia", rejected the partition of Cyprus along ethnic lines and supported the annexation of the whole island to Turkey. Nationalistic slogans centred on the idea that "Cyprus is Turkish", and the ruling party declared Cyprus to be part of the Turkish homeland and vital for its security. Upon realising that Turkish Cypriots were only 20% of the islanders and so annexation was unfeasible, the national policy was changed to favour partition. The slogan "Partition or Death" was frequently used in Turkish Cypriot and Turkish protests in the late 1950s and throughout the 1960s. Although after the Zurich and London Conferences, Turkey seemed both to accept the existence of the Cypriot state and to distance itself from its policy of favouring the partition of the island, the goal of Turkish and Turkish Cypriot leaders remained that of creating an independent Turkish state in the northern part of the island. In the 21st century, the Turkish president Recep Tayyip Erdoğan has expressed support for a two-state solution.

Hip-hop culture is an art movement that emerged in New York City, in the borough of The Bronx, primarily within the black community. Hip Hop as an art form and culture has been heavily influenced by both male and female artists. It is characterized by the key elements of rapping, DJing and turntablism, and breakdancing; other elements include graffiti, beatboxing, street entrepreneurship, hip hop language, and hip-hop fashion.Many cite hip-hop's emergence as beginning in August 1973 when brother–sister duo DJ Kool Herc and Cindy Campbell hosted the first documented indoor hip hop party and culture event in the Bronx; Helping to spark the rise of the genre. However many hiphop pioneers and historians contend that Hip Hop did not have just one founding father. The black Spades street gang and Disco King Mario of the Bronxdale Houses are also considered vital in the early origins of hip-hop culture and music. Disco King Mario hosted and organized outdoor hip-hop culture events, and park jams that predated DJ Kool Herc's 1973 indoor hip-hop party. DJ Kool Herc was also among the attendees at Disco King Mario's hip-hop events. Since then hip-hop culture has spread to both urban and suburban communities throughout the United States and subsequently the world. These elements were adapted and developed considerably, particularly as the art forms spread to new continents and merged with local styles in the 1990s and subsequent decades. Even as the movement continues to expand globally and explore myriad styles and art forms, including hip-hop theater and hip hop film, the four foundational elements provide coherence and a strong foundation for hip hop culture.

Hip hop is simultaneously a new and old phenomenon; the importance of sampling tracks, beats, and basslines from old records to the art form means that much of the culture has revolved around the idea of updating classic recordings, attitudes, and experiences for modern audiences. Sampling older culture and reusing it in a new context or a new format is called "flipping" in hip hop culture. Hip hop music follows in the footsteps of earlier African-American-rooted and Latino musical genres such as blues, jazz, rag-time, funk, salsa, and disco to become one of the most practiced genres worldwide.