Gracchi in the context of "Tax farming"

The Roman Senate (Latin: Senātus Rōmānus) was the highest and constituting assembly of ancient Rome and its aristocracy. With different powers throughout its existence, it lasted from the first days of the city of Rome (traditionally founded in 753 BC) as the Senate of the Roman Kingdom, to the Senate of the Roman Republic and Senate of the Roman Empire and eventually the Byzantine Senate of the Eastern Roman Empire, existing well into the post-classical era and Middle Ages.

During the days of the Roman Kingdom, the Senate was generally little more than an advisory council to the king. However, as Rome was an electoral monarchy, the Senate also elected new Roman kings. The last king of Rome, Lucius Tarquinius Superbus, was overthrown following a coup d'état led by Lucius Junius Brutus, who founded the Roman Republic. During the early Republic, the Senate was politically weak, while the various executive Roman magistrates who appointed the senators for life (or until expulsion by Roman censors) were quite powerful. Since the transition from monarchy to constitutional rule was most likely gradual, it took several generations before the Senate was able to assert itself over the executive magistrates. By the middle Republic, the Senate had reached the apex of its republican power. The late Republic saw a decline in the Senate's power, which began following the reforms of the tribunes Tiberius and Gaius Gracchus. After the transition of the Republic into the Principate, the Senate lost much of its political power as well as its prestige.

In ancient Rome, freeborn women were citizens (cives), but could not vote or hold political office. Because of their limited public role, women are named less frequently than men by Roman historians. But while Roman women held no direct political power, those from wealthy or powerful families could and did exert influence through private negotiations. Exceptional women who left an undeniable mark on history include Lucretia and Claudia Quinta, whose stories took on mythic significance; fierce Republican-era women such as Cornelia, mother of the Gracchi, and Fulvia, who commanded an army and issued coins bearing her image; women of the Julio-Claudian dynasty, most prominently Livia (58 BC – AD 29) and Agrippina the Younger (15–59 AD), who contributed to the formation of Imperial mores; and the empress Helena (c.250–330 AD), a driving force in promoting Christianity.

As is the case with male members of society, elite women and their politically significant deeds eclipse those of lower status in the historical record. Inscriptions and especially epitaphs document the names of a wide range of women throughout the Roman Empire, but often tell little else about them. Some vivid snapshots of daily life are preserved in Latin literary genres such as comedy, satire, and poetry, particularly the poems of Catullus and Ovid, which offer glimpses of women in Roman dining rooms and boudoirs, at sporting and theatrical events, shopping, putting on makeup, practicing magic, worrying about pregnancy—all, however, through male eyes. The published letters of Cicero, for instance, reveal informally how the self-proclaimed great man interacted on the domestic front with his wife Terentia and daughter Tullia, as his speeches demonstrate through disparagement the various ways Roman women could enjoy a free-spirited sexual and social life.

Jean-Baptiste Claude Eugène Guillaume (4 July 1822, Montbard – 1 March 1905, Rome) was a French sculptor.

The Annales maximi were annals kept by the pontifex maximus during the Roman Republic. The chief priest of the Capitoline would record key public events and the names of each of the magistrates. He would keep a detailed record and publish an abbreviated version on a white board (tabula dealbata) outside the Regia or the Domus Publica.

Cicero refers to the practice explicitly, and Cato condemned the apparent triviality and superstition of it (as well as the fact that it kept track of bad news, such as famines). The earliest records were accounts of mythological events, which gave credence to Cato's rejection. However, early Roman historians used the Annales maximi extensively, and legitimate records went, according to Cicero, to 400 BC. By the time of the Gracchi (~130 BC), when the annal ceased, it filled eighty books. The collection was published by pontifex maximus Publius Mucius Scaevola.

Cornelia (c. 190s – c. 115 BC) was the second daughter of Publius Cornelius Scipio Africanus, a Roman general prominent in the Second Punic War, and Aemilia Paulla. Although drawing similarities to prototypical examples of virtuous Roman women, such as Lucretia, Cornelia puts herself apart from the rest because of her interest in literature, writing, and her investment in the political careers of her sons. She was the mother of the Gracchi brothers, and the mother-in-law of Scipio Aemilianus.