Gospels in the context of "Born again (Christianity)"

According to the New Testament, a woven crown of thorns (Ancient Greek: στέφανος ἐξ ἀκανθῶν, romanized: stephanos ex akanthōn or ἀκάνθινος στέφανος, akanthinos stephanos) was placed on the head of Jesus during the events leading up to his crucifixion. It was one of the instruments of the Passion, employed by Jesus' captors both to cause him pain and to mock his claim of authority. It is mentioned in the gospels of Matthew (Matthew 27:29), Mark (Mark 15:17) and John (John 19:2, 19:5), and is often alluded to by the early Church Fathers, such as Clement of Alexandria, Origen and others, along with being referenced in the apocryphal Gospel of Peter.

Since around 400 AD, a relic has been venerated as the crown of thorns. Louis IX acquired it in 1239 from the emperor Baldwin Il, who was financially in debt due to heavy military expenses. Louis IX built the Sainte-Chapelle as a monumental reliquary to house the relic. Transferred to the French National Library during the Revolution of the 18th century, the crown of thorns has been displayed at Notre-Dame de Paris since 1804. The crown is made of reeds, formed into a circle and attached with reed fasteners. On 15 April 2019, it was rescued from a fire and moved to the Louvre Museum. In December of 2024, a ceremony marking the relic's return to Notre Dame Cathedral was led by a procession attended by members of the Equestrian Order of the Holy Sepulchre. Veneration of the crown of thorns takes place every first Friday of the month from 3 pm to 5 pm.

In Christian eschatology, Antichrist, or in broader eschatology, Anti-Messiah, refers to a kind of entity prophesied by the Bible to oppose Jesus Christ and falsely substitute himself as a savior in Christ's place before the Second Coming. The term Antichrist (including one plural form) is found four times in the New Testament, solely in the First and Second Epistle of John. Antichrist is announced as one "who denies the Father and the Son."

The similar term pseudokhristos or "false Christ" is also found in the Gospels. In Matthew (chapter 24) and Mark (chapter 13), Jesus alerts his disciples not to be deceived by the false prophets, who will claim themselves to be the Christ, performing "great signs and wonders". Three other images often associated with Antichrist are the "little horn" in Daniel's final vision, the "man of sin" in Paul the Apostle's Second Epistle to the Thessalonians, and the Beast of the Sea in the Book of Revelation.

A chronology of Jesus aims to establish a timeline for the events of the life of Jesus. Scholars have correlated Jewish and Greco-Roman documents and astronomical calendars with the New Testament accounts to estimate dates for the major events in Jesus's life.

Two main approaches have been used to estimate the year of the birth of Jesus: one based on the accounts in the Gospels of his birth with reference to King Herod's reign, and the other by subtracting his stated age of "about 30 years" when he began preaching. Most scholars, on this basis, assume a date of birth between 6 and 4 BC.

The temptation of Christ is a biblical narrative detailed in the gospels of Matthew, Mark, and Luke. After being baptized by John the Baptist, Jesus was tempted by the devil after 40 days and nights of fasting in the Judaean Desert. At the time, Satan came to Jesus and tried to tempt him. Jesus having refused each temptation, Satan then departed and Jesus returned to Galilee to begin his ministry.

The writer of the Epistle to the Hebrews also refers to Jesus having been tempted "in every way that we are, except without sin".

The Flagellation of Christ, in art sometimes known as Christ at the Column or the Scourging at the Pillar, is an episode from the Passion of Jesus as presented in the Gospels. As such, it is frequently shown in Christian art, in cycles of the Passion or the larger subject of the Life of Christ. Catholic tradition places the Flagellation on the site of the Church of the Flagellation (the second station of the Via Dolorosa in Jerusalem). It is the second Sorrowful Mystery of the Rosary and the sixth station of John Paul II's Scriptural Way of the Cross. The column to which Christ is normally shown to be tied, and the rope, scourge, whip or birch are elements in the Arma Christi. The Basilica di Santa Prassede in Rome is one of the churches claiming to possess the original column or parts of it.

In art, the subject was first depicted as one of a series of Passion scenes, but from the 15th century onwards it was also painted in individual works. The most-discussed single work is the enigmatic Flagellation of Christ on a small panel in Urbino by Piero della Francesca (1455–1460), the precise meaning of which has eluded generations of art historians. At the same time, Christ at the Column or Christ at the Stake developed as an image of Christ alone tied to a column or stake. This was most popular in Baroque sculpture, and also related to the subject, not found in the canonical Gospels, of Christ in the Dungeon. It is often difficult to distinguish between these two subjects, and between Christ at the Column and a Flagellation.

The burial of Jesus refers to the entombment of the body of Jesus after his crucifixion before the eve of the sabbath. This event is described in the New Testament. According to the canonical gospel narratives, he was placed in a tomb by a councillor of the Sanhedrin named Joseph of Arimathea; according to Acts 13:28–29, he was laid in a tomb by "the council as a whole". In art, it is often called the Entombment of Christ.

In textual criticism of the New Testament, the Western text-type is one of the main text types. It is the predominant form of the New Testament text witnessed in the Old Latin and Syriac translations from the Greek, and also in quotations from certain 2nd and 3rd-century Christian writers, including Cyprian, Tertullian and Irenaeus. The Western text had many characteristic features, which appeared in text of the Gospels, Book of Acts, and in Pauline epistles. The Catholic epistles and the Book of Revelation probably did not have a Western form of text. It was named "Western" by Semmler (1725–1791), having originated in early centers of Christianity in the Western Roman Empire.

However, the existence of a singular Western text-type has been criticized by some recent textual critics such as J. Read-Heimerdinger, instead preferring to call the Western text a group of text-types and not as a singular text-type.

The Koine Greek term Ego eimi (Ἐγώ εἰμί, pronounced [eɣó imí]), lit. 'I am' or 'It is I', is an emphatic form of the copulative verb εἰμι that is recorded in the Gospels to have been spoken by Jesus on several occasions to refer to himself not with the role of a verb but playing the role of a name, in the Gospel of John occurring seven times with specific titles. It is connected to the passage in Exodus 3:14 in which God gives his name as אֶהְיֶה אֲשֶׁר אֶהְיֶה‎, Ehyeh Asher Ehyeh, translated most basically as "I am that I am" or "I shall be what I am". These usages have been the subject of significant Christological analysis.

The date of the birth of Jesus is not stated in the gospels or in any historical sources and the evidence is too incomplete to allow for consistent dating. However, most biblical scholars and ancient historians believe that his birth date is around 6 to 4 BC. Two main approaches have been used to estimate the year of the birth of Jesus: one based on the accounts in the Gospels of his birth with reference to King Herod's reign, and the other by subtracting his stated age of "about 30 years" when he began preaching.

Aside from the historiographical approach of anchoring the possible year to certain independently well-documented events mentioned in Matthew and Luke, other techniques used by believers to identify the year of the birth of Jesus have included working backward from the estimation of the start of the ministry of Jesus and assuming that the accounts of astrological portents in the gospels can be associated with certain astronomical alignments or other phenomena.