Maarten van Heemskerck (born Maerten Jacobsz van Veen; 1 June 1498 – 1 October 1574), also known as Marten Jacobsz Heemskerk van Veen, was a Dutch portrait and religious painter, who spent most of his career in Haarlem. He was a pupil of Jan van Scorel, and adopted his teacher's Italian-influenced style. He spent the years 1532–1536 in Italy. He produced many designs for engravers, and is especially known for his depictions of the Wonders of the World.
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👉 Maarten van Heemskerck in the context of Octo Mundi Miracula
Octo Mundi Miracula is a series of engravings published in 1572 by the Flemish engraver Philips Galle, based on a set of eight drawings by Dutch painter Maarten van Heemskerck, with accompanying elegiac couplet verses written by Hadrianus Junius. Heemskerck's primary source was Pedro Mexía's 1540 Silva de varia lección, which noted how the classical sources for the Seven Wonders of the Ancient World do not agree on a consistent list.
The series is considered the first known complete visual representation of the Seven Wonders of the Ancient World, and created the modern canonical list of seven wonders – the specific list had not existed in the various classical sources. Despite creating the modern canonical seven, the engravings included an eighth monument—the Colosseum—following van Heemskerck's 1533 Self-Portrait with the Colosseum.
In this Dossier
- ⭐ Core Definition: Maarten van Heemskerck
- 👉 Maarten van Heemskerck in the context of Octo Mundi Miracula
- Maarten van Heemskerck in the context of Gemma Frisius
- Maarten van Heemskerck in the context of Self-Portrait with the Colosseum
- Maarten van Heemskerck in the context of Dutch and Flemish Renaissance painting
- Maarten van Heemskerck in the context of Haarlem Guild of St. Luke
Maarten van Heemskerck in the context of Gemma Frisius
Gemma Frisius (/ˈfrɪziəs/; born Jemme Reinerszoon; December 9, 1508 – May 25, 1555) was a Dutch physician, mathematician, cartographer, philosopher, and instrument maker. He created important globes, improved the mathematical instruments of his day and applied mathematics in new ways to surveying and navigation. Gemma's rings, an astronomical instrument, are named after him. Along with Gerardus Mercator and Abraham Ortelius, Frisius is often considered one of the founders of the Netherlandish school of cartography, and significantly helped lay the foundations for the school's golden age (approximately 1570s–1670s).
Maarten van Heemskerck in the context of Self-Portrait with the Colosseum
Self-Portrait with the Colosseum is an oil on canvas painting by the Dutch Golden Age artist Maarten van Heemskerck, from 1553. It is held in the Fitzwilliam Museum, in Cambridge.
Maarten van Heemskerck in the context of Dutch and Flemish Renaissance painting
Dutch and Flemish Renaissance painting represents the 16th-century response to Italian Renaissance art in the Low Countries, as well as many continuities with the preceding Early Netherlandish painting. The period spans from the Antwerp Mannerists and Hieronymus Bosch at the start of the 16th century to the late Northern Mannerists such as Hendrik Goltzius and Joachim Wtewael at the end. Artists drew on both the recent innovations of Italian painting and the local traditions of the Early Netherlandish artists.
Antwerp was the most important artistic centre in the region. Many artists worked for European courts, including Bosch, whose fantastic painted images left a long legacy. Jan Mabuse, Maarten van Heemskerck and Frans Floris were all instrumental in adopting Italian models and incorporating them into their own artistic language. Pieter Brueghel the Elder, with Bosch the only artist from the period to remain widely familiar, may seem atypical, but in fact his many innovations drew on the fertile artistic scene in Antwerp.
Maarten van Heemskerck in the context of Haarlem Guild of St. Luke
The Haarlem Guild of Saint Luke was first a Christian, and later a city Guild for various trades falling under the patron saints Luke the Evangelist and Saint Eligius.