Goethe's Faust in the context of National Theatre of Costa Rica

The encyclopedic novel is a genre of complex literary fiction which incorporates elements across a wide range of scientific, academic, and literary subjects. The concept was coined by Edward Mendelson in criticism of Gravity's Rainbow by Thomas Pynchon, defined as an encyclopedia-like attempt to "render the full range of knowledge and beliefs of a national culture, while identifying the ideological perspectives from which that culture shapes and interprets its knowledge". In more general terms, the encyclopedic novel is a long, complex work of fiction that incorporates extensive information (which is sometimes fictional itself), often from specialized disciplines of science and the humanities. Mendelson's essays examine the encyclopedic tendency in the history of literature, considering the Divine Comedy, Don Quixote, Faust, and Moby-Dick, with an emphasis on the modern Ulysses and Gravity's Rainbow. Commonly cited examples of encyclopedic novels in the postmodern period include, in addition to Pynchon, Richard Powers' The Gold Bug Variations (1991), David Foster Wallace's Infinite Jest (1996), and Don DeLillo's Underworld (1997). Other literary critics have explored the concept since, attempting to understand the function and effect of "encyclopedic" narratives, and coining the related terms systems novel and maximalist novel.

Dziady (Polish pronunciation: [ˈdʑadɨ] , 'Forefathers' Eve') is a poetic drama by the Polish poet Adam Mickiewicz. It is considered one of the greatest works of both Polish and European Romanticism. To George Sand and Georg Brandes, Dziady was a supreme realization of Romantic drama theory, to be ranked with such works as Goethe's Faust and Byron's Manfred.

The drama's title refers to Dziady, an ancient Slavic and Lithuanian feast commemorating the dead (the "forefathers"). The drama has four parts, the first of which was never finished. Parts I, II and IV were influenced by Gothic fiction and Byron's poetry. Part III joins historiosophical and individual visions of pain and annexation, especially under the 18th-century partitions of Poland. Part III was written ten years after the others and differs greatly from them. The first to have been composed is "Dziady, Part II", dedicated chiefly to the Dziady Slavic feast of commemoration of the dead which laid the foundations of the poem and is celebrated in what is now Belarus.

Faust: A Tragedy (German: Faust. Eine Tragödie, pronounced [faʊ̯st ˈaɪ̯nə tʁaˈɡøːdi̯ə] , or Faust. Der Tragödie erster Teil [Faust. The tragedy's first part]) is the first part of the tragic play Faust by Johann Wolfgang von Goethe, and is considered by many as the greatest work of German literature. It was first published in 1808.

Faust: The Second Part of the Tragedy (German: Faust. Der Tragödie zweiter Teil in fünf Akten.) is the second part of the tragic play Faust by Johann Wolfgang von Goethe. It was published in 1832, the year of Goethe's death.

Only part of Faust I is directly related to the legend of Johann Faust, which dates to at latest the beginning of the 16th century (thus preceding Marlowe's play). The "Gretchen" subplot, although now the most widely known episode of the Faust legend, was of Goethe's own invention. In Faust II, the legend (at least in a version of the 18th century, which came to Goethe's attention) already contained Faust's marriage with Helen and an encounter with an Emperor. But certainly Goethe deals with the legendary material very freely in both parts.

The Compromise of 1877, also known as the Wormley Agreement, the Tilden-Hayes Compromise, the Bargain of 1877, or the Corrupt Bargain, was a speculated unwritten political deal in the United States to settle the intense dispute over the results of the 1876 presidential election, ending the filibuster of the certified results and the threat of political violence in exchange for an end to federal Reconstruction.

No written evidence of such a deal has ever been found, and its precise details are a matter of historical debate, but most historians agree that the federal government adopted a policy of leniency towards the South to ensure federal authority and Republican Rutherford B. Hayes's election as president. The existence of an informal agreement to secure Hayes's political authority, known as the Bargain of 1877, was long accepted as a part of American history. Its supposed terms were reviewed by historian C. Vann Woodward in his 1951 book Reunion and Reaction: The Compromise of 1877 and the End of Reconstruction, which also coined the modern name in an effort to compare the political resolution of the election to the famous Missouri Compromise and Compromise of 1850.

Faust (/faʊst/ FOWST, German: [faʊst] ) is the protagonist of a classic German legend based on the historical Johann Georg Faust (c. 1480–1540). The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a deal with the Devil at a crossroads, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. "Faust" and the adjective "Faustian" imply sacrificing spiritual values for power, knowledge, or material gain.

The Faust of early books – as well as the ballads, dramas, movies, and puppet-plays which grew out of them – is irrevocably damned because he prefers human knowledge over divine knowledge: "He laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of theology, but preferred to be styled doctor of medicine". Chapbooks containing variants of this legend were popular throughout Germany in the 16th century. The story was popularised in England by Christopher Marlowe, who gave it a classic treatment in his play The Tragical History of Doctor Faustus (c. 1592).In Goethe's reworking of the story over two hundred years later, Faust seduces a pious girl who then dies by suicide, but after many further adventures Faust is saved from damnation through the intervention of penitent women, including the girl whose life he ruined.

Walter Arnold Kaufmann (German: [ˈkaʊfman]; July 1, 1921 – September 4, 1980) was a German-American philosopher, translator, and poet. A prolific author, he wrote extensively on a broad range of subjects, such as authenticity and death, moral philosophy and existentialism, theism and atheism, Christianity and Judaism, as well as philosophy and literature. He served more than 30 years as a professor at Princeton University.

He is renowned as a scholar and translator of Friedrich Nietzsche. He also wrote a 1965 book on Georg Wilhelm Friedrich Hegel and published a translation of Goethe's Faust, and Martin Buber's I and Thou.

Johann Georg Faust (/faʊst/ FOWST, German: [ˈjoːhan ˈɡeːɔʁk ˈfaʊst]; c. 1480 or 1466 – c. 1541), sometimes also Georg Sabellicus Faustus and known in English as John Faustus, was a German itinerant alchemist, astrologer, and magician of the German Renaissance. He was often called a conman and a heretic.

Doctor Faust became the subject of folk legend in the years soon after his death, transmitted in chapbooks beginning in the 1580s, and was notably adapted by Christopher Marlowe as a tragic heretic in his play The Tragical History of the Life and Death of Doctor Faustus (1588-1592). The Faustbuch tradition survived throughout the early modern period, and the legend was again adapted in Johann Wolfgang von Goethe's closet drama Faust (1808), Hector Berlioz's musical composition La damnation de Faust (premiered 1846), and Franz Liszt's Faust Symphony of 1857.