God Speed (painting) in the context of "Courage"

⭐ In the context of COURAGE, what distinguishes the term 'valor' as it is described?

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⭐ Core Definition: God Speed (painting)

God Speed is a painting by British artist Edmund Leighton, depicting an armored knight departing to war and leaving his beloved. The painting was exhibited at the Royal Academy of Arts in 1900. God Speed was the first of several paintings by Leighton during the 1900s on the subject of chivalry, including The Accolade (1901) and The Dedication (1908).

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👉 God Speed (painting) in the context of Courage

Courage (also called bravery, valour (British and Commonwealth English), or valor (American English)) is the choice and willingness to confront agony, pain, danger, uncertainty, or intimidation. Valor is courage or bravery, especially in battle.

Physical courage is bravery in the face of physical pain, hardship, even death, or threat of death; while moral courage is the ability to act rightly in the face of popular opposition, shame, scandal, discouragement, or personal loss.

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God Speed (painting) in the context of Courtly literature

Courtly love (Occitan: fin'amor [finaˈmuɞ]; French: amour courtois [amuʁ kuʁtwa]) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love was originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love spread to popular culture and attracted a larger literate audience. In the High Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an enriching and improving practice.

Courtly love began in the ducal and princely courts of Aquitaine, Provence, Champagne, ducal Burgundy and the Norman Kingdom of Sicily at the end of the eleventh century. In essence, courtly love was an experience between erotic desire and spiritual attainment, "a love at once illicit and morally elevating, passionate and disciplined, humiliating and exalting, human and transcendent". The topic was prominent with both musicians and poets, being frequently used by troubadours, trouvères and Minnesänger. The topic was also popular with major writers, including Dante, Petrarch and Geoffrey Chaucer.

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God Speed (painting) in the context of Courtship

Courtship is the period when some couples become familiar with each other prior to a possible marriage or committed, de facto relationship. Courtship traditionally may begin after a betrothal and may conclude with the celebration of marriage. A courtship may be an informal and private matter between two people or may be a public affair, or a formal arrangement with family approval. Traditionally, in the case of a formal cisnormative heterosexual engagement, it is the role of a male to actively "court" or "woo" a female, thus encouraging the female to be receptive to a marriage proposal.

Courtship as a social practice is a relatively recent phenomenon, emerging only within the last few centuries. From the standpoint of anthropology and sociology, courtship is linked with other institutions such as marriage and the family which have changed rapidly, having been subject to the effects of advances in technology and medicine.

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God Speed (painting) in the context of Falling in love

Falling in love is the development of strong feelings of attachment and love, usually towards another person.

The term is metaphorical, emphasizing that the process, like the physical act of falling, is sudden, uncontrollable and leaves the lover in a vulnerable state, similar to "fall ill" or "fall into a trap".

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