Gnaeus Naevius (/ˈniːviəs/; c. 270 – c. 201 BC) was a Roman epic poet and dramatist of the Old Latin period. He had a notable literary career at Rome until his satiric comments delivered in comedy angered the Metellus family, one of whom was consul. After a sojourn in prison he recanted and was set free by the tribunes (who had the tribunician power, in essence the power of habeas corpus). After a second offense he was exiled to Tunisia, where he wrote his own epitaph and committed suicide. His comedies were in the genre of Palliata Comoedia, an adaptation of Greek New Comedy. A soldier in the Punic Wars, he was highly patriotic, inventing a new genre called Praetextae Fabulae, an extension of tragedy to Roman national figures or incidents, named after the Toga praetexta worn by high officials. Of his writings there survive only fragments of several poems preserved in the citations of late ancient grammarians (Charisius, Aelius Donatus, Sextus Pompeius Festus, Aulus Gellius, Isidorus Hispalensis, Macrobius, Nonius Marcellus, Priscian, Marcus Terentius Varro).
Gnaeus Naevius in the context of Saturnian (poetry)
Saturnian meter or verse is an old Latin and Italic poetic form, of which the principles of versification have become obscure. Only 132 complete uncontroversial verses survive. 95 literary verses and partial fragments have been preserved as quotations in later grammatical writings, as well as 37 verses in funerary or dedicatory inscriptions. The majority of literary Saturnians come from the Odysseia (more commonly known as the Odissia or Odyssia), a translation/paraphrase of Homer's Odyssey by Livius Andronicus (c. 3rd century BC), and the Bellum Poenicum, an epic on the First Punic War by Gnaeus Naevius (c. 3rd century BC).
The meter was moribund by the time of the literary verses and forgotten altogether by classical times, falling out of use with the adoption of the hexameter and other Greek verse forms. Quintus Ennius is the poet who is generally credited with introducing the Greek hexameter in Latin, and dramatic meters seem to have been well on their way to domestic adoption in the works of his approximate contemporary Plautus. These Greek verse forms were considered more sophisticated than the native tradition; Horace called the Saturnian horridus ('rude'). Consequently, the poetry in this meter was not preserved. Cicero regretted the loss in his Brutus:
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