Glassware in the context of "Laboratory glassware"

Hugo Alvar Henrik Aalto (Finnish: [ˈhuːɡo ˈɑlʋɑr ˈhenrik ˈɑːlto]; 3 February 1898 – 11 May 1976) was a Finnish architect and designer. His work includes architecture, furniture, textiles and glassware, as well as sculptures and paintings. He never regarded himself as an artist, seeing painting and sculpture as "branches of the tree whose trunk is architecture." Aalto's early career ran in parallel with the rapid economic growth and industrialization of Finland during the first half of the 20th century. Many of his clients were industrialists, among them the Ahlström-Gullichsen family, who became his patrons. The span of his career, from the 1920s to the 1970s, is reflected in the styles of his work, ranging from Nordic Classicism of the early work, to a rational International Style Modernism during the 1930s to a more organic modernist style from the 1940s onwards.

His architectural work, throughout his entire career, is characterized by a concern for design as Gesamtkunstwerk—a total work of art in which he, together with his first wife Aino Aalto, would design not only the building but the interior surfaces, furniture, lamps, and glassware as well. His furniture designs are considered Scandinavian Modern, an aesthetic reflected in their elegant simplification and concern for materials, especially wood, but also in Aalto's technical innovations, which led him to receiving patents for various manufacturing processes, such as those used to produce bent wood. As a designer he is celebrated as a forerunner of midcentury modernism in design; his invention of bent plywood furniture had a profound impact on the aesthetics of Charles and Ray Eames and George Nelson. The Alvar Aalto Museum, designed by Aalto himself, is located in what is regarded as his home city, Jyväskylä.

Carinate is a shape in pottery, glassware and artistic design usually applied to amphorae or vases. The shape is defined by the joining of a rounded base to the sides of an inward sloping vessel. This design is seen in ancient cultures such as recovered in archaeological digs in such sites as the palace of Knossos in Minoan Crete. An alternative adjectival form of this design is carinated.

A feather duster is a cleaning tool that is typically made from a wooden dowel handle onto which feathers are wound with a wire. The feathers are most often 14 to 32 inches (36 to 81 cm) long. Some dusters have a retractable casing instead of a dowel handle and these are typically used by rack-jobbers and truck drivers who need to clean store shelves, and can retract the feathers into the handle to avoid damage.

Feather dusters serve the same function as soft brooms or brushes, except that they are only meant to remove loose superficial dust from delicate surfaces (such as paintings and papercrafts) or around fragile items (such as porcelain and glassware). They are effective in cleaning tight areas, or areas where there are many odds and ends. The individual feathers are flexible and can reach into gaps and crevices without disturbing the surrounding, and the tiny barbules on the feathers themselves that act as "fingers" to collect and remove dust particles.

Cut glass or cut-glass is a technique and a style of decorating glass. For some time the style has often been produced by other techniques such as the use of moulding, but the original technique of cutting glass on an abrasive wheel is still used in luxury products. On glassware vessels, the style typically consists of furrowed faces at angles to each other in complicated patterns, while for lighting fixtures, the style consists of flat or curved facets on small hanging pieces, often all over. Historically, cut glass was shaped using "coldwork" techniques of grinding or drilling, applied as a secondary stage to a piece of glass made by conventional processes such as glassblowing.

Today, the glass is often mostly or entirely shaped in the initial process by using a mould (pressed glass), or imitated in clear plastic. Traditional hand-cutting continues, but gives a much more expensive product. Lead glass has long been misleadingly called "crystal" by the industry, evoking the glamour and expense of rock crystal, or carved transparent quartz, and most manufacturers now describe their product as cut crystal glass.