Girdle in the context of "Hippolyte"

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⭐ Core Definition: Girdle

A belt without a buckle, especially if a cord or rope, is called a girdle in various contexts, especially historical ones, where girdles were a very common part of everyday clothing from antiquity until perhaps the 15th century, especially for women. Most girdles were practical pieces of costume to hold other pieces in place, but some were loose and essentially for decoration. Among the elite these might include precious metals and jewels.

Today, girdles are part of Christian liturgical vestments, and the word is used in other contexts, such as American sports (for what is really a kind of underwear).

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Girdle in the context of Hippolyta

In Greek mythology, Hippolyta, or Hippolyte (/hɪˈpɒlɪtə/; Ancient Greek: Ἱππολύτη Hippolytē), was a daughter of Ares and Otrera, queen of the Amazons, and a sister of Antiope and Melanippe. She wore her father Ares' zoster, the Greek word found in the Iliad and elsewhere meaning "war belt". Some English translations prefer "girdle". Hippolyta figures prominently in the myths of both Heracles and Theseus. The myths about her are so varied it is thought that they may be about different women. The name Hippolyta translates as "she who unleashes the horses", deriving from two Greek roots meaning "horse" and "let loose".

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Girdle in the context of Tainia (costume)

In ancient Greek costume, a tainia (Ancient Greek: ταινία; pl.: ταινίαι or Latin: taenia; pl.: taeniae) was a headband, ribbon, or fillet.

The tainia headband was worn with the traditional ancient Greek costume. The headbands were worn at Greek festivals. The gods also bound their heads with tainiai. Furthermore, cult images, trees, urns, monuments, animal sacrifices and the deceased had tainiai wound around them. They were later adopted by the Romans. A similar type of headband was the diadema, used as a symbol for kings.

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Girdle in the context of Beheading game

The beheading game is a literary trope found in Irish mythology and medieval chivalric romance. The trope consists of a stranger who arrives at a royal court and challenges a hero to an exchange of blows: the hero may decapitate the stranger, but the stranger may then inflict the same wound upon the hero. The supernatural nature of the stranger, which makes this possible, is only revealed when he retrieves his severed head. When the hero submits himself to the return blow, he is rewarded for his valour and is left with only a minor wound. The hero is seen as coming of age by undergoing the exchange of blows, and his symbolic death and rebirth is represented by the feigned return blow.

Originating in the Irish legend of the Fled Bricrenn, the beheading game appears in several Arthurian romances, most notably Sir Gawain and the Green Knight. The version of the game found in the latter work has been analyzed for its relationship with the Arthurian concept of chivalry. At no point does the Green Knight specify that he must be beheaded, only that he will return whatever blow is struck. When Gawain makes the impulsive decision to decapitate the Knight, the values of Camelot require that he subject himself to death in the name of upholding the rules of the challenge. Gawain is incapable of bravely submitting to death, instead concealing a magic girdle that he believes will keep him from harm, thus demonstrating that he values survival over honour.

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Girdle in the context of Grachtengordel

The Grachtengordel (Dutch pronunciation: [ˌɣrɑxtə(ŋ)ˈɣɔrdəl] , lit.'canal belt/girdle'), known in English as the Canal District, is a neighborhood in Amsterdam, Netherlands located in the Centrum district. The seventeenth-century canals of Amsterdam, located in the center of Amsterdam, were added to the UNESCO World Heritage List in August 2010. The Amsterdam Canal District consists of the area around the city's four main canals: the Singel, the Herengracht, the Keizersgracht, and the Prinsengracht. From the Brouwersgracht, the canals are generally parallel with one another, leading gradually southeast into the Amstel river.

Many of the canal houses in the Amsterdam Canal District are from the Dutch Golden Age, 17th century. Many of these buildings, however, underwent restoration or reconstruction in various centuries, meaning that the buildings display many different architectural styles and facades.

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Girdle in the context of Cincture

The cincture is a rope-like or ribbon-like article sometimes worn with certain Christian liturgical vestments, encircling the body around or above the waist. As usual with vestments, both the term and the object are taken from ordinary everyday dress of the distant past. There are two types of cinctures: one is a rope-like narrow girdle or rope-like belt around the waist. The other type is a broad ribbon of cloth that runs around the waist and usually has a section that hangs down from the waist; this type is often called a "band cincture" – it would be a "waist-sash" in secular contexts. One or both (or other) types are often used in various Christian denominations. Both types are used in the various Western rites of the Catholic Church and provinces of the Anglican Communion. Consecrated members of the various Eastern rites, whether in the Catholic Church, or in the various Orthodox communions, sometimes wear a belt referred to as a zone.

In the Western rites of the Catholic Church, as a matter of customary terminology, the term cincture is most often applied to a long, rope-like cord with tasseled or knotted ends, tied around the waist outside the alb. The colour may be white, or may vary according to the colour of the liturgical season. A Catholic bishop's cincture is made of intertwining gold and green threads, a cardinal's has red and gold, and the pope's with white and gold. When the cincture is tied in the front and the ends draped on either side, it is called a Roman Knot.

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Girdle in the context of Lourdes apparitions

The Lourdes apparitions are several Marian apparitions reported in 1858 by Bernadette Soubirous, the 14-year-old daughter of a miller, in the town of Lourdes in Southern France.

From 11 February to 16 July 1858, she reported 18 apparitions of "a Lady". Soubirous described the lady as wearing a white veil and a blue girdle; she had a golden rose on each foot and held a rosary of pearls. After initial skepticism from the local clergy, these claims were eventually declared to be worthy of belief by the Catholic Church after a canonical investigation. The apparition is known as Our Lady of Lourdes.

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