Giovanni Pastrone, also known by his artistic name Piero Fosco (13 September 1883 – 27 June 1959), was an Italian film pioneer, director, screenwriter, actor and technician.
Pastrone was born in Montechiaro d'Asti. He worked during the era of the silent film and influenced many important directors in the international cinema with Cabiria, such as David Wark Griffith in The Birth of a Nation (1915) and Intolerance (1916).
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Cabiria is a 1914 Italian epic silent film, directed by Giovanni Pastrone and shot in Turin. The film is set in ancient Sicily, Carthage, and Cirta during the period of the Second Punic War (218–202 BC). It follows the story of an abducted little girl, Cabiria, and features an eruption of Mount Etna, religious rituals in Carthage, the alpine trek of Hannibal, Archimedes' defeat of the Roman fleet at the Siege of Syracuse and Scipio maneuvering in North Africa. Apart from being a classic on its own terms, the film is also notable for being the first film in which the long-running film character Maciste makes his debut. According to Martin Scorsese, in this work Pastrone invented the epic movie and deserves credit for many of the innovations often attributed to D.W. Griffith and Cecil B. DeMille. Among those was the extensive use of a moving camera, thus freeing the feature-length narrative film from "static gaze".
The historical background and characters in the story are taken from Livy's Ab Urbe Condita (written ca. 27–25 BC). In addition, the script of Cabiria was partially based on Gustave Flaubert's 1862 novel Salammbô and Emilio Salgari's 1908 novel Cartagine in fiamme (Carthage in Flames). It was the first film shown at the White House, having been viewed on the South Lawn, by the President, First Lady, Vice President, his wife, members of the Cabinet and their wives, due to the summer heat in June 1914.
Maciste (Italian pronunciation: [maˈtʃiste]) is one of the oldest recurring characters of cinema, created by Gabriele d'Annunzio and Giovanni Pastrone. He is featured throughout the history of the cinema of Italy from the 1910s to the mid-1960s.
He is usually depicted as a Hercules-like figure, utilizing his massive strength to achieve heroic feats that ordinary men cannot. Many of the 1960s Italian movies featuring Maciste were retitled in other countries, substituting more popular names in the titles (such as Hercules, Goliath or Samson).