Giovanni Paolo Panini in the context of "Marco Ricci"

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⭐ Core Definition: Giovanni Paolo Panini

Giovanni Paolo, also known as Gian Paolo Panini or Pannini (17 June 1691 – 21 October 1765), was an Italian Baroque painter and architect who worked in Rome and is primarily known as one of the vedutisti ("view painters"). As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are his view of the interior of the Pantheon (on behalf of Francesco Algarotti), and his vedute—paintings of picture galleries containing views of Rome. Most of his works, especially those of ruins, have a fanciful and unreal embellishment characteristic of capriccio themes. In this they resemble the capricci of Marco Ricci. Panini also painted portraits, including one of Pope Benedict XIV.

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Giovanni Paolo Panini in the context of Capriccio (painting)

In painting, a capriccio (Italian pronunciation: [kaˈprittʃo], plural: capricci [kaˈprittʃi]; in older English works often anglicized as "caprice") is an architectural fantasy, placing together buildings, archaeological ruins and other architectural elements in fictional and often fantastical combinations. These paintings may also include staffage (figures). Capriccio falls under the more general term of landscape painting. This style of painting was introduced in the Renaissance and continued into the Baroque.

By the late 18th century the term had expanded to mean any image with an equivalent degree of fantasy, for example as used in the titles of print series by Giovanni Battista Tiepolo and Goya, both of whom focus on figures rather than architecture.

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Giovanni Paolo Panini in the context of Nazi plunder

Nazi plunder (German: Raubkunst) was organized stealing of art and other items which occurred as a result of the organized looting of European countries during the time of the Nazi Party in Germany.

Jewish property was looted beginning in 1933 in Germany and was a key part of the Holocaust. Nazis also plundered occupied countries, sometimes with direct seizures, and sometimes under the guise of protecting art through Kunstschutz units. In addition to gold, silver, and currency, cultural items of great significance were stolen, including paintings, ceramics, books, and religious treasures.

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