Giotto di Bondone in the context of "Basilica of San Francesco d'Assisi"

The patriarchs (Hebrew: אבות‎ ʾAvot, "fathers") of the Bible, when narrowly defined, are Abraham, his son Isaac, and Isaac's son Jacob, also named Israel, the ancestor (according to the Abrahamic tradition) of the Israelites. These three figures are referred to collectively as "the patriarchs", and the period in which they lived is known as the patriarchal age.

Judaism, Christianity, and Islam hold that the patriarchs, along with their primary wives, known as the matriarchs (Sarah, Rebekah and Leah), are entombed at the Cave of the Patriarchs, a site held holy by the three religions. Rachel, Jacob's other wife, is said to be buried separately at what is known as Rachel's Tomb, near Bethlehem, at the site where she is believed to have died in childbirth.

The flight into Egypt is a story recounted in the Gospel of Matthew (Matthew 2:13–23) and in New Testament apocrypha. Soon after the visit by the Magi, an angel appeared to Joseph in a dream telling him to flee to Egypt with Mary and the infant Jesus since King Herod would seek the child to kill him. The episode is frequently shown in art, as the final episode of the Nativity of Jesus in art, and was a common component in cycles of the Life of the Virgin as well as the Life of Christ. Within the narrative tradition, iconic representation of the "Rest on the Flight into Egypt" developed after the 14th century.

The Star of Bethlehem, or Christmas Star, appears in the nativity story of the Gospel of Matthew chapter 2 where "wise men from the East" (Magi) are inspired by the star to travel to Jerusalem. There, they meet King Herod of Judea, and ask him:

Herod calls together his scribes and priests who, quoting a verse from the Book of Micah, interpret it as a prophecy that the Jewish Messiah would be born in Bethlehem to the south of Jerusalem. Secretly intending to find and kill the Messiah in order to preserve his own kingship, Herod invites the wise men to return to him on their way home.

In Christianity, ablution is a prescribed washing of part or all of the body or possessions, such as clothing or ceremonial objects, with the intent of purification or dedication. In Christianity, both baptism and footwashing are forms of ablution. Prior to praying the canonical hours at seven fixed prayer times, Oriental Orthodox Christians wash their hands and face (cf. Agpeya, Shehimo). In liturgical churches, ablution can refer to purifying fingers or vessels related to the Eucharist. In the New Testament, washing also occurs in reference to rites of Judaism part of the action of a healing by Jesus, the preparation of a body for burial, the washing of nets by fishermen, a person's personal washing of the face to appear in public, the cleansing of an injured person's wounds, Pontius Pilate's washing of his hands as a symbolic claim of innocence and foot washing, which is a rite within the Christian Churches. According to the Gospel of Matthew, Pontius Pilate declared himself innocent of the blood of Jesus by washing his hands. This act of Pilate may not, however, have been borrowed from the custom of the Jews. The same practice was common among the Greeks and Romans.

According to Christian tradition, the Pharisees carried the practice of ablution to great excess. The Gospel of Mark refers to their ceremonial ablutions: "For the Pharisees...wash their hands 'oft'" or, more accurately, "with the fist" (R.V., "diligently"); or, as Theophylact of Bulgaria explains it, "up to the elbow", referring to the actual word used in the Greek New Testament, πυγμή pygmē, which refers to the arm from the elbow to the tips of the fingers. In the Book of Acts, Paul and other men performed ablution before entering the Temple in Jerusalem: "Then Paul took the men, and the next day purifying himself with them entered into the temple, to signify the accomplishment of the days of purification, until that an offering should be offered for every one of them."

Cennino d'Andrea Cennini (Italian: [tʃenˈniːno danˈdrɛːa tʃenˈniːni]; c. 1360 – before 1427) was an Italian painter influenced by Giotto. He was a student of Agnolo Gaddi in Florence. Gaddi trained under his father, called Taddeo Gaddi, who trained with Giotto. He is remembered mainly for having authored Il libro dell'arte.

Cennini was born in Colle di Val d'Elsa, present-day Tuscany. After training as an artist with Agnolo Gaddi in Florence he worked at the court of Francesco Novello da Carrara in Padua for some years before apparently returning to Colle di Val d'Elsa.