Gilgamesh epic in the context of "Shamhat"

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⭐ Core Definition: Gilgamesh epic

The Epic of Gilgamesh (/ˈɡɪlɡəmɛʃ/) is an epic from ancient Mesopotamia. The literary history of Gilgamesh begins with five Sumerian poems about Gilgamesh (formerly read as Sumerian "Bilgames"), king of Uruk, some of which may date back to the Third Dynasty of Ur (c. 2100 BCE). These independent stories were later used as source material for a combined epic in Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BCE and is titled after its incipit, Shūtur eli sharrī ("Surpassing All Other Kings"). Only a few tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates to somewhere between the 13th to the 10th centuries BCE and bears the incipit Sha naqba īmuru ("He Who Saw the Deep(s)", lit. "He Who Sees the Unknown"). Approximately two-thirds of this longer, twelve-tablet version have been recovered. Some of the best copies were discovered in the library ruins of the 7th-century BCE Assyrian King Ashurbanipal.

The first part of the story discusses Gilgamesh, king of Uruk, and Enkidu, a wild man created by the gods to stop Gilgamesh from oppressing his people. After Enkidu becomes civilized through sexual initiation with Shamhat, he travels to Uruk, where he challenges Gilgamesh to a test of strength. Gilgamesh wins the contest; nonetheless, the two become friends. Together, they make a six-day journey to the legendary Cedar Forest, where they ultimately slay its Guardian, Humbaba, and cut down the sacred Cedar. The goddess Ishtar sends the Bull of Heaven to punish Gilgamesh for spurning her advances. Gilgamesh and Enkidu kill it, insulting Ishtar in the process. The gods decide to sentence Enkidu to death by giving him a fatal illness.

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Gilgamesh epic in the context of Eridu Genesis

Eridu Genesis, also called the Sumerian Creation Myth or Sumerian Flood Myth, offers a description of the story surrounding how humanity was created by the gods, the circumstances leading to the origins of the first cities in Mesopotamia, how the office of kingship entered this probably neolithical civilisation, and the global flood.

Other Sumerian creation myths include the Barton Cylinder, the Debate between sheep and grain, and that between Winter and Summer, also found at Nippur. Similar flood myths are described in the Atra-Hasis and Gilgamesh epics, where the former deals with the internal conflict of an organisation of Sumerian gods, which they try to pacify by creating the first couples of humans as labour slaves – followed by a mass reproduction of these creatures and a great flood triggered by Enlil (master of the universe). The narrative of biblical Genesis shows some striking parallels (however, excluding all references to a civilisation before Adam and Eve's creation), so that scientific research has long assumed prehistoric influences on the emergence of Mosaic religion.

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Gilgamesh epic in the context of History of poetry

Poetry as an oral art form likely predates written text.The earliest poetry is believed to have been recited or sung, employed as a way of remembering oral history, genealogy, and law. Poetry is often closely related to musical traditions, and the earliest poetry exists in the form of hymns (such as Hymn to the Death of Tammuz), and other types of song such as chants. As such, poetry is often a verbal art. Many of the poems surviving from the ancient world are recorded prayers, or stories about religious subject matter, but they also include historical accounts, instructions for everyday activities, love songs, and fiction.

Many scholars, particularly those researching the Homeric tradition and the oral epics of the Balkans, suggest that early writing shows clear traces of older oral traditions, including the use of repeated phrases as building blocks in larger poetic units. A rhythmic and repetitious form would make a long story easier to remember and retell, before writing was available as a reminder. Thus, to aid memorization and oral transmission, surviving works from prehistoric and ancient societies appear to have been first composed in a poetic form – from the Vedas (1500–1000 BCE) to the Odyssey (800–675 BCE).Poetry appears among the earliest records of most literate cultures, with poetic fragments found on early monoliths, runestones, and stelae.

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