Giambologna (1529 – 13 August 1608), also known as Jean de Boulogne (French), Jehan Boulongne (Flemish) and Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small works in bronze and marble in a late Mannerist style.
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👉 Giambologna in the context of Nessus (centaur)
In Greek mythology, Nessus (Ancient Greek: Νέσσος, romanized: Nessos) was a famous centaur who was killed by Heracles, and whose poisoned blood in turn killed Heracles. He was the son of Centauros. He fought in the battle with the Lapiths and became a ferryman on the river Euenos.
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Giambologna in the context of Italian Renaissance sculpture
Italian Renaissance sculpture was an important part of the art of the Italian Renaissance, in the early stages arguably representing the leading edge. The example of Ancient Roman sculpture hung very heavily over it, both in terms of style and the uses to which sculpture was put. In complete contrast to painting, there were many surviving Roman sculptures around Italy, above all in Rome, and new ones were being excavated all the time, and keenly collected. Apart from a handful of major figures, especially Michelangelo and Donatello, it is today less well-known than Italian Renaissance painting, but this was not the case at the time.
Italian Renaissance sculpture was dominated by the north, above all by Florence. This was especially the case in the quattrocento (15th century), after which Rome came to equal or exceed it as a centre, though producing few sculptors itself. Major Florentine sculptors in stone included (in rough chronological order, with dates of death) Orcagna (1368), Nanni di Banco (1421), Filippo Brunelleschi (1446), Nanni di Bartolo (1451), Lorenzo Ghiberti (1455), Donatello (1466), Bernardo (1464) and his brother Antonio Rossellino (1479), Andrea del Verrocchio (1488), Antonio del Pollaiuolo (1498), Michelangelo (1564), and Jacopo Sansovino (1570). Elsewhere there was the Siennese Jacopo della Quercia (1438), from Lombardy Pietro Lombardo (1515) and his sons, Giovanni Antonio Amadeo (1522), Andrea Sansovino (1529), Vincenzo Danti (1576), Leone Leoni (1590), and Giambologna (1608, born in Flanders).
Giambologna in the context of Abduction of a Sabine Woman
Abduction of a Sabine Woman (or The Rape of the Sabine) is a large and complex marble statue by the Flemish sculptor and architect Giambologna (Johannes of Boulogne). It was completed between 1579 and 1583 for Cosimo I de' Medici. Giambologna achieved widespread fame in his lifetime, and this work is often considered his masterpiece. It has been in the Loggia dei Lanzi, Florence, since August 1582.
The statue is composed in the figura serpentinata style. It depicts three figures: a young man in the centre who has seemingly taken a woman from the despairing older man below him. It is ostensibly based on the "rape of the Sabine Women", a legend from the early history of Rome when the city contained relatively few women, leading to their men committing a raptio (large-scale abduction) of young women from nearby Sabina.
Giambologna in the context of Skulpturensammlung
The Skulpturensammlung (English: Sculpture Collection) is part of the Staatliche Kunstsammlungen Dresden (Dresden State Art Collections). It is located in the Albertinum in Dresden.
The collection of the Dresden Skulpturensammlung ranges in age more than five millennia, from classical antiquity to the art of the Renaissance, Baroque, and Expressionism until the 21st century. Sculptures from the likes of Polycletus to Giambologna and Permoser, and from Rodin to Lehmbruck are included in the collection.